My bag arrived in time for one day’s shoot. We had just five days over the water and four of them were just too windy and the whales were very shy. There was one, though, who would stay on the ocean bottom where we barely could see him and then every 20 minutes he would come up for air. Our trick was to swim like hell to intersect him when he reached the surface without being clobbered. I got three chances, and during one, I guessed right and he came up just in front of me. I could have grabbed his tail and gone for a ride. Now I am off for the Duba Plains in Botswana; hopefully, my bags will make it with me! Stay tuned!
Sockeye salmon run thick in the rivers and streams of Katmai. However, these fish are smart. I was unable to capture the shots I wanted of the fish since they were very agitated by the bears hunting them. The bears work in unison, churning the water, then snagging the confused fish in their powerful jaws.
Katmai National Park is one of my go-to places for bears. It is extraordinary to say the least & the scenery isn’t too shabby either. In particular, I was able to photograph a sow & her two cubs. She looked at me, looked at her cubs, and sat down as if giving me permission.
My friends and I had a great time wandering around various parts of the Salish Sea in search of orca whales. While we did finally spot 8 transient whales on our adventure it takes either really good light or unusual behaviors such as spy hopping and breaching the surface to make the photo and alas we had neither that day. To really photograph orcas takes a bit of luck (which I often have) and a lot of time (which I never have). I have been fortunate enough to see them in Antarctica, Argentina, New Zealand, Norway, and Alaska and I was hoping to have some shots of them in my own back yard for my next book project but it wasn’t to be this time around.
We are proud to present this fully revised edition of the classic bestseller The Art of Photographing Nature, in which master photographer Art Wolfe and former Audubon photo editor Martha Hill team up to explain the art of composing images of enduring beauty. Against a backdrop of more than 250 photographs of nature, wildlife, and landscapes, they share insights and advice about what works and what doesn’t, and how small changes can take an image from ordinary to extraordinary.
