With SNOWMAGEDDON hitting the Pacific Northwest, a timely themed #TechniqueTuesday is in order! This is an entry from Photographs From the Edge, where I’ve combined the stories behind some of my most recognizable career photographs, as well as providing tips, techniques, and camera data for them. Enjoy, and I hope everyone back home is staying safe in the Winter weather!
Canon EOS-1DX, Canon EF 70-200mm f/2.8 lens, f/18 for 1/250 sec., ISO 2000
This image of bison in Yellowstone National Park really began when I co-led a rafting trip down Alaska’s Taku River a number of years ago. On that trip I met Robert Bateman and his wife Birgit. This outstanding Canadian artist spent time photographing details of rocks along the river’s edge or details of the forest. I had to ask what he was doing. He simply responded that he was taking details that he could later render accurately as details in his paintings.
At that time I had been fixating on getting closer and closer to animals and ultimately getting that classic portrait of that animal almost as if it was a trophy. The analogy was that I was a hunter with the camera. Bateman made me take a serious look at how he would he was less concerned about portraits of animals and more concerned about capturing an animal within the context of its environment. I looked at my own work and started realizing he was right.
Bateman showed that by creating atmospheric conditions and a sense of place, the composition become more nuanced, more intricate, and more involving for the viewer. In the years after meeting Bateman, I think my work became infinitely more interesting by being more inclusive of the environment. From that point forward then I would always look at storms and thick atmosphere as opportunities rather than distractions.
This image of bison in Yellowstone works to carefully include the animal’s environment. With the advent of higher ISO cameras, I can shoot with both a smaller aperture and a faster shutter speed. Here, I was able to capture a herd of animals with great depth of field, and to use a fast enough shutter speed to stop the movement of snow. So in this image of the buffalo in Yellowstone, you can see tiny points of white snow suspended in motion as well as individual animals clearly in focus. To me, this photo recalls some of the great paintings of Robert Bateman.
Photo tip: For falling snow to show up in a photo, you need contrast to set the snow apart from the rest of the scene. In this image, both the dark trees in the background and the dark fur of the bison help bring this contrast to the image. The falling snow behind the bison also lend a strong sense of atmosphere to the shot.
The nature of the photo: Snow is extremely variable in size and shape, which has a strong impact on how it appears in a photo. Very cold conditions can create tiny snow crystals that will appear more as fog than snow in a photo. Large snowflakes can be a bold part of a winter photo.
For more photos and the stories behind them, along with tips and techniques, purchase Photographs From the Edge in my online store. As always, make a request note in your order and I’ll give it a signature!
And if you missed it – check out the gallery of images from my recent return trip to Yellowstone.
Not even the government can shut down Yellowstone! This vast volcanic caldera has always delivered photographically for me. I headed out with some close friends and in a few short days were able to photograph wolves, coyotes, bison, otters, and two horns, big & prong. I caught one otter rolling and gamboling in the snow and sliding across the ice of the Yellowstone River; and there was an energetic young ram who put on quite a show leaping back and forth across a rocky hillside.
Enjoy the photos – more to come soon from Japan. It’s just days away, but two spaces have just opened up. There is also one spot remaining to join me on a trip to India in March to photograph the Holi festival as well as tigers – grab it before it’s gone!
One of my favorite things to do when I have a couple extra days at home is to take a quick day trip to the Fraser River Delta in British Columbia. It is a haven for birds and birders and I concentrated on the short-eared owls and harriers that were hunting for rodents in the tall grasses. As I did earlier in the month at Pt. Reyres, I practiced with my new Canon EF600mm f/4L IS III USM lens, shooting mostly with a Canon EOS 5D Mark IV.
In addition to the birds of prey, I captured some of the best bufflehead images I’ve ever taken. Usually they look like little black and white sea ducks floating in dark water, but in the low winter light their feathers become a colorful iridescent rainbow.
I’ll be heading to Japan in February with Gavriel Jecan and no more than 8 other travelers for a special photographic journey. Very limited spaces have recently become available – here are 10 reasons to claim them!
1. Japan in winter is one of the most majestic locations you could ever imagine.
2. Take a tub with the charming Snow Monkeys
No, you don’t have to strip down and commune with the macaques. But this is an amazing photographic opportunity: these furry primates come down from the pine and oak forests and for a couple of hours a day they hang around a natural hot spring where you can photograph from within inches without interrupting their behavior.
3. Explore the wilderness that is Hokkaido.
Hokkaido reminds me a bit of Alaska, full of forests of birch, pine and fir with a back drop of beautiful volcanic mountains.
4. Dance with the endangered Red-crowned Cranes
Leave the dancing to the cranes. These elegant birds have been symbolized in Japanese culture for thousands of years due to their grace and beauty.
5. Fight over fish with the massive Steller’s Sea Eagles
Don’t worry, we’ll have plenty of our own sushi to eat! These majestic eagles don’t want to share anyway.
6. Whoop it up with the cacophonous Whooper Swans
Overwintering from Siberia, these swans congregate in the thermally heated waters of Hokkaido’s lakes, making for ethereal, misty photographs.
7. Take a break from nature and explore buzzing Tokyo
8. Experiential learning at its best. It’s my hope that the lessons you learn on this photographic journey will be referenced on your travel photography adventures in the future!
9. You will be traveling in a small group of 8 participants. Other tour operators are a minimum of 12 or more, so you will get far more one-on-one time.
10. Photograph under the tutelage of one of the world’s premier nature photographers and take full advantage of your time spent in Japan!
On the heels of spending time at South Georgia Island & the Falklands, I headed off from Chile to eastern India. After a day to rest we departed Kolkata for Nagaland in the northeast and photograph the colorful Hornbill festival, where the region’s many tribes gather to celebrate their culture, art, athleticism, and much more. The cloudless skies and throng of festival-goers made for a frenetic and challenging environment to photograph in, but I did come away with many of the shots I was seeking.
From there we went north to Kaziranga National Park where we were treated to dozens of Rhinos and an abundance of other wildlife including elephants, water buffalo, great hornbill, and more – and then to Kanha in search of tigers. Unfortunately during the time we had allotted to seek them out, a cold heavy rain fell and kept them mostly out of view. We were, however, treated to the playful Indian wild dogs and other denizens of the area.
Enjoy the photos, but most importantly – Happy Holidays! Ill be spending mine with friends in Thailand, before finally heading home to Seattle for the first time in nearly a month and a half. . . and then it’s off to the next adventure!
The nature of the photo:King penguins are second only to emperor penguins in size. Mostly they live on islands north of Antarctica such as South Georgia Island, rather than on the continent itself. They feed on fish and squid from the ocean nearby which is known for its diversity of life. Canon EOS-1N/RS, TS-E 90mm f/2.8 lens, f/16 for 1/125 sec., Fujichrome Astia
South Georgia Island is a great place for penguin photography, but it is an extremely remote island in the South Atlantic that is difficult to get to. While working on my book, The Living Wild, I worked out a way of getting onto South Georgia Island and camping for six days. My assistant, Gavriel Jecan, and I were dropped off by an American tour boat then picked up six days later by a German passenger ship coming from Cape Town, South Africa.
During our stay, we faced all sorts of weather, but primarily wind and snow. This can be miserable for the photographer but such weather is often stunningly beautiful for the pictures. I love atmospheric conditions and blowing snow is one of those conditions that convey a sense of the primordial and timelessness to the image. Still, it made for difficult shooting.
You can see all of the penguins are hunkered down to withstand this turbulent weather. We were trying to shoot videos as well as stills. The wind meant we had to stabilize the image with a heavy tripod. A small f-stop of f/16 kept all the penguins in focus. One thing a still photo doesn’t convey are the sounds and smells of the moment. Certainly the smells of hundreds of thousands of penguins is something I’ll never forget. The sounds of the birds, the trumpeting of the adults is a sound that is forever etched in my brain. Simply put, it’s one of my favorite places to visit on earth.
A simple tip this technique Tuesday, but an important one to consider – If you suspect challenging weather, be sure you are prepared for it with the right clothing, boots, gloves and hats. If you are too uncomfortable, you are not going to stay outside for the unique possibilities that weather might bring. When conditions get tough, dramatic and unusual photographs are often possible then.
For more stories, technical details and tips relating to some of my most well-known photos, check out the book this excerpt was taken from in my online store – Photographs from the Edge.
Despite it’s cold, unwelcoming climate, South Georgia Island in the South Atlantic is one of my favorite places on earth. A remote, hundred-mile whaleback of rock, South Georgia Island resides in the Southern Ocean, more than eight hundred miles southeast of the Falkland Islands. It features glacier-clad mountains rising two vertical miles above the sea. South Georgia is as wild as it gets, hosting one of the largest concentrations of wildlife anywhere. Over four hundred thousand pairs of king penguins walk the beaches and swim in the frigid blue ocean. Seals, albatross, and even reindeer (imported for meat by long-gone Norwegian whalers) also inhabit this isolated island. I used a wide-angle lens to photograph austere landscapes, intimate plant studies, and endearing animal behavior in this wildlife oasis.
On a tiny island near the coast of South Georgia Island, a courting male albatross bonds with it’s potential lifelong mate. The wandering albatross, with an eleven-foot wingspan, is clearly king of ocean birds, but overfishing and destructive longline nets threaten it’s survival in southern oceans. Some nets stretch up to sixty miles and snare fish and birds indiscriminately.
An adolescent king penguin challenges reindeer crossing through a penguin rockery on South Georgia Island. Long gone European brought reindeer to the island as a dietary alternative to whale meat. Reindeer herds continue to roam through the remote island.
Forty-pound king penguins line the shores of South Georgia Island. They are on their way to the rockery where territorial instincts prompt numerous quarrels among the birds. The beach is a respite from the dangers of the ocean and the crabby neighbors on the nests. Although the island experiences some of the worst weather in the world, we were fortunate to shoot in the pink light of a clear sky with the sun hidden behind the horizon.
Want to know more, and see these animals in motion? This episode is featured on Season 1, Episode 4 of Travels to the Edge, available individually, as part of the entire first season, and the full series! Have a great weekend!
Here I am in Dubai, editing photos in sunny climes that are in stark contrast to the cool temperatures of the South Georgia and Falkland islands from where I recently departed. This weeks-long photo expedition led by Tom Mangelsen, Frans Lanting and myself provided plenty of opportunities four our group to capture the variety of species that call these remote islands home. Our accommodations aboard the Polar Pioneer gave us all a chance to get to know one and other – making new friends is always the highlight of any trip.
Frans, Tom and myself were discussing where we might go next; leave a comment below if you have any suggestions! Enjoy the photos, and stay tuned for more as I head off to India!
Today’s high ISO cameras are amazing at freezing motion, a technique I use and love on any wildlife shoot these days I have been capturing images that I couldn’t have imagined in the days of film – or even 8-10 years ago, for that matter. Flying bears, macaws tack sharp against a dark cave, every drop of water perfectly captured from the spray of an elephant – what’s possible now is incredible!
AI often try and remind myself to slow down every now and then; drop the ISO back down to 100 and stop down the aperture and let the motion move across the image. Ernst Haas was one of my early influences, a person who’s work I continue to admire. He was a pioneer of using this technique to show the motion in his subjects.
It takes some experimentation and often you won’t really know if you have any successful images until you’ve edited and evaluated them. Some may still show the eyes of the animal in reasonably sharp contrast to the blurred legs in motion – I like this look – but I also like those images that make me think of ancient drawings on a cave wall, where nothing is particularly defined and the entire animal is abstracted in it’s motion and the background a blurred canvas.
I won’t always see the potential in these images immediately. Some I shot on film many years ago I nearly tossed out but decided to file away at the last second. I pulled them out years later and found a new appreciation for their abstract qualities and I’m glad I did!
You may have guessed that I LIKE BEARS! I have been photographing Alaska’s bears since the early 1980s and I feel this is the best photograph of a brown bear I have ever taken – and that’s just not the adrenaline talking!
When you visit a location as often I have, you begin to recognize the ‘locals’, and I have a history with this bear. She’s a young female I’ve photographed in years past, catching fish like none other. This year she had two cubs demanding her attention and was still the best. As the male bears splashed and thrashed at fish, she was like an efficient machine; feeding her cubs was her prime objective. I knew exactly what she would do and focused on her.
Limited to an edition of 100, #1 is a glorious 40 x 53″, very nearly life size! Be the first to own this archival print and 10% of the retail will be donated in your name to the University of Washington’s Center of Conservation Biology (they’re the scientists who do significant work in the DNA tracking of poached endangered species!).