I’ll be LIVE in Seattle next week for another talk at Town hall Seattle – this time discussing my new book Night On Earth – and I’m thrilled to be joined by Ruskin Hartley of the International Dark-Sky Association. Ruskin is an expert on the subject of light pollution and the efforts to preserve the deep, dark night skies that allow us to view the heavens and the trillions stars that surround us – among many other conservation efforts!
Town Hall Seattle – The Forum
1119 8th Ave (Entrance off Seneca St.)
Seattle, Washington 98101
Nighttime is wonderfully mysterious, beautiful, and full of a certain kind of energy — and most of the time, we diurnal humans sleep right through it. Have you ever wondered what would happen if you could not only stay awake for it all but also peek in on what’s happening at night across the entire planet?
In his newest book, Night on Earth, acclaimed photographer Art Wolfe gives us a glimpse of nature, animals, and human activity on every continent, after the sun goes down. Blazing sunsets over Antarctic ice. Night markets pulsing with activity in Morocco. Glittering star trails over the Australian outback. Colonies of penguins awaking to the dawn. Wolfe reveals it all through a dazzling compilation of photos that Sir David Attenborough calls “…a suburb evocation of some of the most breathtaking spectacles in the world.”
Wolfe takes the Great Hall stage to present slides and share stories of his travels, the process of creating the book, and the fine art of picture-making at night.
Art Wolfe is an American photographer and conservationist, best known for color images of landscapes, wildlife, and indigenous cultures. His photographs document scenes from every continent and hundreds of locations, and have been noted by environmental advocacy groups for their stunning visual impact. Wolfe has created millions of images in his lifetime and travels nearly nine months out of the year photographing for new projects, leading photographic tours and seminars, and giving inspirational presentations.
Ruskin Hartley is the CEO and Executive Director at The International Dark-Sky Association, where he champions equitable access to dark skies and quality lighting for all through IDA’s award-winning programs. Prior to his position with IDA, Ruskin directed and managed conservation programs that protect land, water, and ocean resources. He has served as executive director of Save the Redwoods League, as president and CEO of Heal the Bay in Los Angeles, and as vice president of resource development at Fair Trade USA.
Just a couple weeks left until I open the doors of my home & garden to the group joining me in Seattle for my lecture, field session, and critique under the umbrella of The Art Of Seeing! Before this two-day workshop kicks off, join me on a Friday evening at my home in West Seattle for beverages and hors d’oeuvres as well as an exclusive look at my upcoming book, Night On Earth.
Over the course of this two-day workshop I’ll present lectures infused with lessons from Art History as well as my own hands-on five decades of experience as an artist, photographer, instructor, and world traveler. Then, we will take those lessons out into the field for shooting sessions – see how I work on location and the simple but effective ways to change your approach and perspective to come away with unique shots that speak to your own personal artistic vision!
Finally we will wrap it all up with what tends to be a participant favorite session – the critique, where I’ll take a look at your images from throughout the weekend and give my advice on how they might be improved, or recognition of a job well done, along with answering the “why” in each instance.
Hope to see you there! Space is limited as we allow for room for social distancing. Please note – to keep myself and my assistance safe and to streamline the process of acquiring venues and accommodations, we ask that all workshop participants be fully vaccinated against COVID-19.
It’s been a warm and dry summer here in the Pacific northwest. Until this past week, we hadn’t seen a drop of rain in the city most famous for it in nearly two months, and more often than not the temperatures have been in the upper 80’s and low 90s.
I’ve been fortunate to get away on tours recently in Katmai, and I’m preparing this week to go with a fantastic small group to Iceland – where there is still room to join if you are the spontaneous type.
With limited trips last year and so much uncertainty, I’m looking forward to capturing the fall color once again – and cooler temperatures! It’s unfortunate that we seem to be taking a step backwards in terms of combating COVID, but executing workshops has become much easier when you know the right questions to ask and have been through it all.
If you’ve been thinking about joining a workshop, we’ve got several coming up that highlight the fall color in the Western U.S., as well as a shindig at my place in October to kick off a weekend I’ve titled The Art of Seeing. Looking forward to seeing you there!
Short but sweet today, as our group arrives at the lodge up here in Katmai, Alaska. I missed out on visiting last summer, so I’m excited to see how things have changed in the past couple of years. My visits to this region have been so frequent that I’ve grown to recognize individual bears over the years – hopefully they haven’t grown up or changed too much in that time! Here are some of my favorite shots from this location over the years. Each time I go to this location, I have a new goal in mind. It’s interesting to look back and see how my shots and focus has changed from year to year. This time I definitely want to get some artistic shots of the beautiful vibrant salmon to illustrate many of the things I talk about when I speak of “changing the way you see”. I mean it! Stay tuned for new photos when I return!
This will be the first of two sold-out tours happening back to back – check out my events page to get your name on the list early for next year’s tours so you don’t miss out!
Happy Friday! Currently packing for a couple tours in Katmai, and I can’t wait to get out there with our group. I missed this last year, so it’ll be great to get back to it – and good to see our associates on the ground here as well that help our workshops run smoothly!
In the immediate future, there are limited spots left for both the Abstract Port Townsend and Iceland tours happening in August. Two very different experiences! Iceland has been filling up incredibly fast for being a new addition, so if it’s a trip you’ve been thinking about – now is the time!
it’s also a good time to be looking ahead to next year. I’ll be back here in Alaska – so if you missed it this year before they sold out, you’ve got another chance with lots of time to prepare, but don’t hesitate to grab your spot as these always sell out. I’ll also be heading to Japan, Africa, and Mongolia next year as well. Lets go shoot!
I’m in the midst of going through all my photos from several recent workshops – all back to back, so my editing time has been limited! I did pull a few of my favorite shots from Oregon’s Lost Lake, looking out to Mt. Hood – the tallest mountain in the state, and also a dormant stratovolcano.
I often talk about the many ways to shoot a subject, and even from essentially the same vantage point you can find ways to make even a giant mountain feel different, and tell a different story.
For starters, the environmental portrait! This is a great way to open when sharing your photos, giving context to the scene. Here the calm lake is prominent, framed by the iconic evergreens of the pacific northwest. We get a good sense of place for the looming mountain.
Here we have the same elements – the lake is still present as well as the trees, but the mountain has become front and center. The lower sun is casting warmer hues on the mountain, separating it from the background. We still get a sense of place, but the mountain has become the star!
Here, the mountain is definitely the star feature. The lakes and trees still inform a bit of the environment, but the great mountain is free of the framing branches that kept it from feeling quite as prominent.
And finally – a vertical that takes us back to the sense of place – standing under the shady limbs of the evergreens. From all these shots, you can see from the forms and patterns on it’s surface that my angle on the mountain hasn’t changed – just taken a few steps one direction or another, gotten down lower to the ground, or tried a different focal length. Small differences can completely change the results of your shot!
While I’m always adding new workshop location destinations to my list, it’s inevitable that I end up photographing in many of the same locations time and time again. Part of the draw of an Art Wolfe workshop – especially here in the Pacific Northwest – is the expertise we have on these locations. So how do you find new ways to challenge yourself while coming away with new images from a location that you’re already familiar with?
Aside from the obvious, try to find new conditions and lighting. A night shoot can completely change a composition as the light sky darkens and the scene becomes a study of star and moonlight. Go outside your comfort zone and toss a lens on your camera that you hadn’t really considered, like a wide angle or fish-eye trying different points of view and perspectives.
Most importantly – move! Depending on the lens you are using, moving a few feed can make a huge difference. Move around, turn your body – get low to the ground. Abstract your subject into studies of color, shape, and form. The ideas are endless! Just a small example – I spend so much of my time at home working in my garden, yet it’s always surprising even to myself when the inspiration takes me. I can grab my camera and spend hours seeing it from a new perspective.
I’ll avoid the clichés that we’ve heard all year long – eyes focused on moving forward to the next great challenge! We have overcome a lot, so everyone here at the AWI office is happy that families are able to begin to gather safely once again.
If you’re still struggling to find dad that perfect gift, give my events page a look as we have several workshops on the horizon, both here in the Pacific Northwest and abroad! If dad happens to be a photography enthusiast and is tired of being cooped up, what could be better than learning and enjoying a Tequila at dinner with his new pal Art!?
There is also early bird pricing on a special event this October I’ve titled simply “Creative Sessions” that will take place in my home town of Seattle. This event will begin with a Friday evening gathering at my home in West Seattle with food, beverages, and a special presentation followed by a day of lecture before being released to independently shoot. We will reconvene on the following day for another lecture and critique.
Recently vaccinated and ready to get out? We are coming up on the final stretch of West Coast workshops, with limited space left to join me at several haunts up and down the shores of the Pacific. Today begins our Carmel-By-The-Sea workshop – probably too late for this one!
One spot HAS in fact opened up for the ever-popular Abstract Astoria workshop happening next week. It WILL be claimed so act fast if you want it.
On June 17th we head to the Columbia River Gorge that serves as a natural border between Washington and Oregon, home to breathtaking landscapes, several waterfalls and a wide variety of opportunities to photograph both nature and abstract images.
Finally, a little further out at the end of July we will be returning to Port Townsend for another Abstract workshop – this new location serves as an excellent companion to Abstract Astoria, and it’s fast becoming a favorite of our clients. Limited to just five participants, this is an excellent opportunity to get some one on one instruction.
I’m thrilled to be back in the field but I also can’t wait until I’m back home and can reconnect with everyone on another live stream – stay tuned for info on when that will be happening again. Visit the events page for information on all upcoming international & US workshops, and have a fantastic weekend!
In the good old days of film ISO 100 was considered fast and on the margins of the day with every increasing exposure times you had no choice but to pan with your subjects as they moved. Today we’re getting spoiled with digital cameras that yield acceptable images at exceptionally high ISOs.
So this is a reminder to dial back to good old ISO 100, even put on a polarizer to lose another stop or more and put some emotion and action back in your shots. It takes practice – try this technique with the wind blowing a field of flowers, a crowded market, street scenes… it’s not just for animals.
When using a tripod the contrast of tack sharp architecture and blurred people can be very effective. Share your results if you have some as well!