Walking into my first Art Wolfe Workshop, I was a self-taught photographer, anxious and concerned I may not keep pace. Within minutes I was diffused. Fast forward seven seminars/workshops and I find myself standing next to Art ready to board our small plane heading towards Coastal Brown Bears. If I knew then, what I know now, I would have taken the opportunity long before my first.
He has treated me as a friend; given knowledge and support peppered by encouraging opinion. He has shared; I have tried and failed and he has tirelessly shared again. He has crept into my brain, opened my eyes and opened my world. I have grown. For that I am thankful.
Once again we experienced tremendous photographic opportunities with the bears at Alaska’s Lake Clark National Park. Here are some of the picks our fellow travelers and photographers took!
Next year the workshop will be led by Jay Goodrich & Gavriel Jecan. If you are interested in getting on their mailing list, please contact info@jaygoodrich.com.
Jim Waterbury www.jimwaterbury.com
“Thanks for a terrific workshop! What a treat to see the magnificent coastal brown bears up-close, interacting with each other in a natural setting, and seemingly oblivious to the presence of humans. As usual, I found Art’s artistic vision, passion, and vast experience photographing wildlife to be both inspiring and educational … a real privilege to have been able to spend 4 days with Art and Jay, in the wilds of Alaska, yet in a very comfortable environment. Looking forward to the next opportunity! Thanks!”
Dale Moses
Hanspeter Leupin
“Taking pictures of the bears was an absolutely amazing and breath taking experience. With the input I got from Art and Jay I learned to enhance my skills in taking pictures.”
There are many reasons to embrace motion in your images. Learn some tips at the Masters of Nature Photography seminar that I’m doing with Frans Lanting and Tom Mangelsen on November 9-11 in San Francisco.
Art is taking his Art of Composition Tour to Europe this fall!
September 8th: Royal Geographical Society, London
Check out Art’s bio in the latest Amateur Photographer magazine & get a discount on the London seminar:
Angels Gazquez Espuny from Spain, recently interviewed Art for a school project. The title was “The Artist’s Psychology”. Here is their dialogue.
From your experience, what is art and what is an artist? –A true artist is an individual who creates from their soul be they a musician, writer, dancer, sculptor, painter or photographer etc…They have a need to express themselves in a creative way, revealing a part of themselves in the process. To restrict their creative outlet, whatever it may be, whether they sell their work or not, is to imprison their soul.
Art is a journey, for both the artist and the viewer. An artist will grow and mature over time. Myself, I began with a more realist approach to my painting and photography and have trended towards a greater appreciation for the abstract as I have followed my own journey. The same is true for the viewer. At one point in your life you may not ‘get it’ when you look at another’s artwork, perhaps it is too abstract or unusual, but later in life you may return to these same pieces and see them from an entirely new perspective; appreciating them in a way you couldn’t have before. Everyone sees and interprets art from their own experiences. It is because of this that you can’t simply define “art” or an “artist”, each is an ever changing and growing interpretation for the individual.
For me personally, the highest form of art is something that enriches the viewer and speaks to them evoking an emotional response from within. I fill my home with art, both my own and pieces I have collected during my travels all over the world. Some are highly prized pieces such as centuries old Native American baskets but they run all they way down to simple indigenous crafts I have picked up for a few dollars. I have even transformed my yard over the years into a work of art inspired by the Chinese paintings of the Haung Shan landscapes.
I am an artist, I have been since a child. It was when I was a young boy in middle school the teachers, upon seeing my paintings, were so moved, that they actually paid me for my work. It was right then that I knew I would make a living selling my art, my creations, and I have followed that path ever since. My roots are set deeply in painting. I went to the University of Washington receiving my degree in Fine Arts and I saw this as my path. It was only in my 20s that I would transition to a photography and make my name as a wildlife photographer and in my journey, now at 60 years old, I find myself returning to my roots as a painter more and more.
Why and what motivates you to create, what do you normally create? –As I said before, I am an artist and I have that same drive inside me that all true artists feel which continues to motivate me even after 30 years. When I return from a trip my mind is instantly seeking out the next opportunity – whether it is with my camera in the field, a studio session, or time with paint and a brush, as an artist I will never rest.
I have always been a strong conservationist, even as a child. I grew up spending more time outside than inside exploring the woods near my home in West Seattle, Washington getting to know every bird, reptile, mammal, and plant I could find. At a young age I could see the need to protect and preserve our fragile natural resources. I strive to capture the natural beauty in works of art with the hope that it will inspire the viewer, evoke that emotional response, to see the need to preserve and protect our diminishing resources.
In my career as a photographer, I first began photographing animals and landscapes and that is perhaps what I am most well known for. Over the years, traveling the world, I was fortunate enough to encounter the elusive animals that inhabit the remote corners of our planet, and at the same time I got to know and appreciate the indigenous people that inhabit these lands as well. Their culture in many cases remains intact as it has been for countless generations. Getting to know these cultures, fostered an appreciation for the beauty of their approach to life and balance with the planet. With a career spanning over 30 years, I have images in my archive that can not be replicated today as cultures give way to outside influences.
Traveling the world I have also been exposed to a wide variety of religions and practices giving me an appreciation for the beauty you can find in each. Over time I have found myself bringing home more and more creations around culture and religion from these travels.
Lastly, as I get older I find myself drawn more and more to the abstract. The photographs you find me taking today are less often about the grand scenic landscape and more often about intimate details, abstracting the elements in the natural world to tell a different kind of story, but one rooted in the same motivation for protecting and preserving the natural wonders of our planet.
Do you think an artist is born or grows with age? –I believe both statements are true. One is born with certain passions in their soul. No matter your level of physical fitness, if you don’t have a passion to climb mountains, you won’t be a mountain climber, that is a drive I believe you have deep inside of you and an artist’s drive is no different. You are born with this drive to create though not necessarily the talent to pull it off, for talent comes with time. This is how an artist grows with age. Some may be self-taught, others classically trained, and it’s the rare exception that may be inherently talented, but even with those, I would argue that you can see their work grow and transform over time as they follow their journey.
Whether your art form is photography, painting, music, whatever…talk with any artist and they will tell you of a journey where they grew as an artist, honing their craft, focusing their talents, changing with time and improving with each creation.
And I continue to evolve, I have taken photos in the last 3 years that I never would have seen just 5 years ago – at 60 years old I continue to get better, look objectively at my art, improve on it and move forward, never stagnating. I will be growing as an artist so long as I am still able to create.
Do you have any reference artists & what inspires you? –I am inspired by the works of many classical and contemporary artists. You will see direct evidence of influences from Jackson Pollack in my work in a composition showcasing the random line and chaos which can be found in nature. I have also long admired the work of dutch artist M.C. Escher. I have photographs that I explicitly composed with his repeating geographic patterns in mind such as the repeating black and white of a tightly composed image of penguins in the artic. As I am photographing in the field, a scene will unfold before me reminding me of a particular artist’s style and I will compose my image drawing upon this style.
As a lifetime student of art, the list of artists inspiring me is a long one. You’ll find all the usual suspects such as Salvador Dali, Renoir, Van Gogh as well as more contemporary artists such as Keith Haring, Jacob Lawrence, Mark Toby… To visit my library at home would provide you an understanding as it is filled with art books spanning the centuries, it would be far too difficult to try and list everyone I draw from here.
Additionally I am also influence and inspired by the original artists, those who left their art on rock and cave walls 10-30 thousand years ago in Australia, southwestern US and the caves of Spain and France. They were true artists abstracting their subjects, suggesting movement and exaggerating their features. They were not simply recoding exactly what they saw, they were creating art.
Lastly, I am inspired by the beauty of nature. The intricate designs you find everywhere you look, from a curled fiddle wad of a young fern to the beautiful colors in the wings of a McCaw. This is why I keep doing what I do, I love nature and all her beauty and I want to share this with everyone in the hopes that they too will fall in love and understand why we need to protect this precious gift.
Do you consider yourself an artist? –Absolutely. Art is my passion and I have been following that passion my entire life.
On August 8, join Art Wolfe and Green Builder Media President Ron Jones as Ron interviews the fascinating photographer about his observations of changing conditions within natural and built environments around the globe, the adaptations that the inhabitants of these environments have been forced to make, and how Wolfe has been able to win support for conservation issues by focusing his camera on the Earth’s beauty and bounty.
We just completed a tremendous photo tour in Alaska’s gorgeous Lake Clark National Park. Access to brown bears here is unequaled.
Next year the workshop will be led by Jay Goodrich & Gavriel Jecan. If you are interested in getting on their mailing list, please contact info@jaygoodrich.com.
Less than 30 days left for the Early Bird registration discount for the Masters of Nature Photography seminar that I’m doing with Frans Lanting and Thomas D. Mangelsen on November 9-11 in San Francisco.
Good friend and veteran adventure journalist Peter Potterfield has traversed an entire continent to compile an essential guide to twenty-five of the most magnificent trails across the United States and Canada. Beautifully photographed and eminently practical, CLASSIC HIKES OF NORTH AMERICA [W. W. Norton & Company; August 6, 2012; $39.95 hardcover] analyzes spectacular vistas with both beginners and avid hikers in mind.
Three decades have passed since Potterfield “succumbed to the irresistible appeal of the wilderness,” and in that time, he’s mastered a critical skill: identifying where to go. There are an infinite number of breathtaking patches of wilderness and, understanding that it would take lifetimes to see them all, Potterfield undertook the task of prioritizing the routes that brought the greatest return on time, effort, and expense.
Illustrated with more than 200 full color photographs and hiking directions, this volume awakens our wanderlust and demands a journey into the wilderness. The dazzling images and Potterfield’s lush prose offer provocative glimpses at the “sublime experience” of roaming through iconic landscapes and storied peaks. The routes included in this guide cover the Northern Loop in Mount Rainier National Park in Washington, the Sawtooth Traverse in Idaho, the Coyote Gulch in the Canyons of the Escalante in Utah, the Hermit-Bright Angel Loop in Grand Canyon National Park in Arizona the Slate Range in the Canadian Rockies, and many more.
In addition to providing inspiration, THE CLASSIC HIKES OF NORTH AMERICA is an indispensable source of practical knowledge for those who are ready to venture into the backcountry. Potterfield provides detailed information on each trail and the result is a uniform, accessible guide to the American wilderness. Each chapter contains wisdom such as: level of difficulty, trail conditions, recommended seasons, potential hazards and difficulties, resource information, and detailed maps of hiking routes.
Potterfield, who first journeyed into the backcountry in the 1970s, has hiked and photographed hundreds of trails, learning invaluable lessons along the way. He shares his remarkable wealth of knowledge in CLASSIC HIKES OF NORTH AMERICA, offering his expertise to future generations of hikers and adventurers. This beautiful and informative book truly shows the North American wilderness at its best.
Catch Peter for an engaging slide show & discussion of Classic Hikes of North America at the following locations:
August 3 @ 3:30: Debut booksigning in the Magellan booth at the Outdoor Retailer show, Salt Lake City, Utah
Sept 23: Bend Oregon Great Outdoors Store
Oct 9: Boston Reading REI
Oct 10: Boston downtown REI
Oct 11: DC—Rockville REI
Oct 12: DC—Fairfax REI
Oct 16 Redmond (Seattle) REI
Oct 17 Seattle Flagship REI
Oct 25 New York SoHo REI
Oct 30 Saratoga REI
Oct 31 Corte Madera REI
Nov 1 Berkeley REI
Nov 2 San Carols REI
Nov 7 San Diego REI
Nov 8 Los Angeles Santa Monica REI
Nov 14 Chicago Downtown REI (Lincoln Park)
Nov 28 Minneapolis Flagship REI (Bloomington)
Dec 5: Portland Downtown REI (Oregon)
Dec 6: South Puget Sound REI (Olympia, WA)
Composing Effective Images – FIELD EDITION
2-Day Workshop with Art Wolfe & Jay Goodrich
Seattle – October 20-21, 2012
Welcome Reception at Art’s House on October 19th – 6pm to 8pm. Light appetizers.
We have modified this class to offer more of what people want. We are now including a FIELD session in this class. We are packing so much into this class, that Art will actually begin his first lecture at the opening reception in his home on Friday night. This class is available only in Seattle, WA.
Whether hosting PBS series, Travels To The Edge, publishing a book, or conducting a seminar or field workshop, my focus remains the same: “Engage, inspire and reveal a new vision of the world around us”.
>>REGISTER!
GREAT SMOKY MOUNTAINS
OCTOBER 26-28, 2012
(3 day Workshop)
Led by Art Wolfe
$2000
Join Art Wolfe for fall colors in the Great Smoky
Mountains. Based out of Asheville, NC, we explore
with field sessions in this incredible National Park.
Art’s finer points of maximizing early morning and
late afternoon light at this unique time of year will
yield great images and inspiration for your work.
The best way to learn photography, is in the field,
one-on-one with an experienced instructor.
BISHOP, CA
NOVEMBER 16-18, 2012
(3 day Workshop)
Led by Art Wolfe
$2000
Join Art Wolfe as we explore Owens Valley. The
Light is exquisite this time of year. We will take
field sessions to the beautiful surroundings of
Bishop. Art’s finer points of maximizing light
will be discussed in the classroom and in the field.
Critiques will be part of the learning process, too.
The best way to learn photography, is in the field,
one-on-one with an experienced instructor.
PALM SPRINGS, CA
NOVEMBER 30 – December 2, 2012
(3 day Workshop)
Led by Art Wolfe
$2000
Join Art Wolfe as we explore the desert that
surrounds Palm Springs. Dunes, cactus, and
wildflowers are abundant in this unusual
landscape. Art’s finer points of maximizing light
will be discussed in the classroom and in the field.
Critiques will be part of the learning process, too.
The best way to learn photography, is in the field,
one-on-one with an experienced instructor.