On Location: Brazil’s Pantanal II
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BLOG: Buraco das Araras – Images by Art Wolfe
Our fantastic trip is drawing to a close, ending at the Buraco das Araras or the “Hole of the Macaws.”
On Location: Brazil’s Pantanal
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BLOG: New Pantanal Wildlife – Images by Art Wolfe
Our guides promised jaguars & they delivered, along with macaws, toucans, and giant otters!
Southwest Workshop Participants’ Gallery
In June I like to head to the Southwestern United States. The heat of the desert hasn’t quite yet got to the point where it is painful. Moab and Kanab, Utah are close to magnificent national parks. After the wet spring in the Northwest, it is nice to travel to a warm location, and this area offers a completely unique environment. Spectacular land formations and lots of hidden canyons can be found in Arches, Capitol Reef and Canyonlands National Parks to name a few. The Southwest certainly has a lot to offer, and we explored a small corner of it in my latest workshop. Take a look at the wonderful shots my fellow photographers got!
Adam Sabow: “It was a fantastic time – already can’t wait to plan the next one!”
Alan Sund: “We had a great trip to Moab! The participants were great – many (like me) were back from prior trips, and knew we were in store for a wonderful workshop. Art and Jay were their usual selves, always supportive but also determined to help each of us grow in our photographic abilities – and all the prep-work done by your Seattle crew made it all work smoothly. I can’t wait to find another workshop to sign up for in the near future.”
A Little Crazy is Ok
Seal. Crazy. 4:00am. I think it has been my ring tone for 15 years now, way before the iPhone was even a concept. It is this song that closely reflects the life of a photographer. I mean who in their right mind would wake up at 4am? The beauty of my current situation is that Art is as much of a morning person as I am. We firmly believe that waking up this early should be minimized on all accounts. Seriously, the coffee shops aren’t even open yet. The flip side is that we have no problem staying up well into the evening to photograph stars. I guess that justifies sleeping in way past sunrise. At least in summer.
We were in Moab. It was the first day of leading ten people around with a certain and much different workshop challenge. Discover the subjects beyond the obvious. Yes, if you have never been to Moab you can shoot those icons, but after that we wanted our participants to move beyond and work not only their subjects, but their minds too. As a participant you are restricted to keeping those iconic images to yourself. We all know that they are already good compositions. During our critiques we want to see the other images. The ones you have questions about. Or the ones you struggled with until you thought you failed. Those are inevitably the ones that are most successful.
If this sounds like a duality of common sense, it probably is. Those images that you struggle with force you to work, and when you work at your composition, you put thought into it. This thought process always comes through in the images you produce, even if you don’t realize it at the time.
The desert is a magical place. The colors are extremely brilliant and complimentary. Unbelievably clear and dry blue skies complimented with deep reds and oranges as the sun comes up. This time of year though, it only lasts about an hour after sunrise, so timing is of the essence. And lesson number one is to illustrate this on morning one, day one, without any prior instruction. The forthcoming discussions will change this ideal and then we will progress to make you think even harder. Once you are challenged with trying to find subjects beyond the icons, we are going to take you an abandoned town. At Noon. With one request, find us subjects.
We continue by highlighting specific techniques. Specific ways of processing images utilizing Adobe Lightroom 4. Adding in creative options here as well, so that you realize that every image shouldn’t be super-saturated color, a perfect blend of multiple exposures, or even produced in the 2 by 3 format. This is were your ideas are taken into reality. The creative juices are beginning to flow at this point and you are beginning to see. To see less like a recorder and more like an artist. You begin to realize that you are in control of what your viewer perceives and almost understand that the image you create becomes your viewer’s reality.
Then we add different perspectives into the mix. How to create composite panoramics, star trails, and nighttime compositions. We do this by taking you to different eco-systems and different environments continuously throughout the day. The main rule here is if you can find something of merit to photograph at high noon in the summer desert, you can find a subject just about anywhere at any time. And then, all of a sudden, everything clicks, (figuratively and literally) you become a creative. The word photographer only has meaning to you because you choose that as your mechanism to display your vision.
You in fact become a little crazy and like the song says, “But we’re never gonna survive, unless, we are a little crazy.” Now you want only one thing. MORE. Stay tuned we will give you that real soon. — Jay Goodrich
Olympic Peninsula Workshop, May 2012Participants Gallery
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As always, it is always great to spend several days in Olympic National Park with such enthusiastic photographers! This workshop continues to be the gold standard of my learning program. Be sure to check out the blogs & websites of the following photographers!
Alan Augustine: “I really enjoyed the workshop. Art and all of his assistants were very helpful with my attempts to progress from simply documenting a scene to creating a work of art.”
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Andrew Nixon “What a great introduction to the Olympic Peninsula. Can’t wait to come back.”
Blog: nixonphoto.wordpress.com Web: www.andrewnixonphoto.com
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Cory Kitzan: “I had a GREAT time at this workshop. I came home and told my wife that it was the best three days of my life! It was very mentally and physically challenging. It took me two days to recover! I loved every bit of it.
Art has so much energy and passion, and seemed to really care about the quality of the workshop experience for each member of the group. He was a lot of fun to be around. His lectures and candid comments during the critiquing session were invaluable. I learned so much!
I also learned humility when I viewed my results. I’ve been taking photographs as a hobby since I was a kid (35+ years). I understand the technical side, and can take good “vacation photos”, as Art described them. I have loved Art’s photography ever since the first time I saw “Travels to the Edge”, but I didn’t know what it was that appealed to me, or how to replicate it myself. At the workshop, those questions were answered.
I now have many fun years of practice ahead of me. What I learned in those three short days will impact my photography for the rest of my life. I would highly recommend Art’s workshops and lectures to anyone interested in photography.
Facebook: www.facebook.com/Cory Kitzan
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Dan Rosen: “I had a great time at the workshop!”
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Darrell Sano: “I’ve always admired Art Wolfe, ever since watching his “Travels to the Edge” PBS series. He is far more than a landscape photographer, and his fascination with people and culture attest to his multi-faceted interests and skills. Aside from looking at his work and hearing first-hand explanations behind his images, the class afforded me the opportunity to visit someplace I’ve never been. And sharing the experience with fellow attendees, especially those who I drove in our car pool, was utterly enjoyable.”
Web: www.dksfoto.com
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Ella Hudson: “Earlier in my life I have worked as a college photographer and a medical photographer. More attune to a PR and photo journalism style, I have never really explored nature as a photo subject. The grand landscape has always been too broad and vast; my photos never came close to Ansel Adams! But I enjoy others’ nature photography.
I have followed Art’s work since becoming aware of him through “Travels to the Edge.” His obvious love and passion for animals and nature’s beauty is what makes these episodes. My husband encouraged me to sign up for the Olympic Peninsula workshop as a gift to myself. This was the first real photo workshop I have ever attended. Even though I felt a little out of my comfort zone, I promised myself that I would be open to all the possibilities, no matter what. I really had no expectations; I planned to attend and see what happened.
Well, what happened was more than I could have ever expected. Photography, photography, photography morning to night with a lot of other people at times feeling out of their comfort zones, too! But that’s how you learn! Here was an opportunity to just soak it all up!
Web: www.stonecoastphotography.com
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Eric Schoch: “This was a terrific workshop in a great locale. Art and all the instructors were supportive and had excellent suggestions. I learned a lot and had a great time!”
Web: ericschochphotography.com
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Kashif Izhar: “What an exhilarating experience it was to be with Art Wolfe at the Olympic Peninsula Workshop. 3 days full of great advice and ample chances to implement it in the field with first hand feedback from Art and his team. The critique session was by far the best, where Art looks at each photo for a moment and then with live Lightroom implementation, transforms it to its true potential. Wish to join Art once again at a more exotic location for a longer trip.”
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Kathryn Mead: “Art is a great teacher in lecture, field and critique. His enthusiasm is boundless as is his knowledge, which he shares freely. This was my 3rd workshop with Art. He takes us to places that offer a variety of shots. Since he’s thought out where to go, all I have to do is think about shooting. I really enjoyed shooting with a group. I got to make new friends and learn even more about photography from talking to them and seeing their work. Art’s personality sets a relaxed atmosphere. I would recommend a workshop to anyone who would like to learn more about how to see an environment in a way that allows them to create more compelling images. For me, this class is not (mostly) about f-stops and ISOs. It’s about how to see a composition. My photography has improved tremendously as a result of learning from Art.”
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Lizz Bartlett
Web: www.lizzbartlett.com
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Nick Monkman: “Art Wolfe is a fantastic teacher and and enjoyable person just to be around. Not only did I improve my photography – I also had a fun vacation. Art’s rich background in painting and art history really help drive home his main teaching points about effect compositions. Lectures were well-organized without being oppressive and the image critique at the end of the workshop was especially rewarding. Well done…and when’s the next one?”
Blog: nickmonkman.zenfolio.com/blog/2012/6/okay-that-was-fun
Web: nickmonkman.zenfolio.com/
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Timothy Lindsay: “I learned a lot about composition and the technical aspects of photography on this workshop. Both during lectures from Art Wolfe and his helpers in the field. I recommend atttending one near your home first so you know what kind of equipment you need (and what you don’t need) when traveling with your photography equipment.”
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Todd Hatakeyama:
Blog: www.lightingleica.com
What to shoot in June and July?
Wildflowers!
Some people are amazed to learn that I still enjoy getting out to photograph wildflowers. Well, the greater truth is that I just enjoy getting out to photograph – anything. It fuels my soul, and as long as I can walk and hold a camera that’s where you’ll find me, out in the field working the subject, whatever it may be.
As spring gives way to summer, the mountains around Seattle, melt out to reveal wonderful meadows of wildflowers. Mt Rainier is perhaps one of my favorite destinations for wildflowers and so many can be found just a short walk from the parking lot. For those familiar with the area I like to head to Paradise, drive past the main parking lots and down the hill maybe half a mile, parking where the road crosses Edith Creek. From there you hike up towards the mountain and the wildflowers will soon surround you with a rushing creek and smooth boulders to work with. Hiking maybe a mile will afford beautiful views of Mt. Rainier filling the foreground with flowers.
When you head out to photograph wildflowers one’s first instinct is to often isolate a perfect blossom at a 45 degree angle (any lower and your knees might get dirty!) and go home happy. I call this the trophy shot, it looks just like the image on the packet at the wildflower seed store – we all have them, myself included, so get that shot (I will) and then open your mind to more creative possibilities.
When I have lead workshops to Mt. Rainier in the past I’ll let the students know that we have “arrived” at our destination for the next hour and they will politely line up on the trail and begin to photograph the first flower they see, usually right from the very direction they had approached it. After all, that’s why we’re here, no? No. We’re here to stretch our creative imaginations, to see in new ways, and uncover new possibilities. Consider how you approach the flower as you would any subject. Over the years I have critiqued so many photos and the answer is all too often the same, get lower and get closer.
My approach is generally to first walk through the area and get familiar with the myriad of options, perspectives, background possibilities, subtle differences in lighting. I’ll look at the subject from all sides possible before choosing a location to begin. Remember, recolonizing, fragile, easily accessible meadows like those of Mt. Rainier don’t allow for venturing off established trails. So please be aware of your surroundings, trail markers and warning signs.
Initially, I will photograph the larger scene with a wide angle lens (16-35, always with a polarizer adding a 2 stop hard ND filter as needed) helping to establish a sense of location. This can be useful later when trying to remember where I was when the image was taken, perhaps a hold-over from shooting slides when it could be three months before I would see any results from the days’ efforts. The wide angle lens allows me to include the surrounding plants, trees, terrain and mountains leaving the to flowers become a pattern of color in the lower foreground. I’ll look for leading lines in the pattern, gentle curves, a way for the viewer to interact with the image as they move through the foreground, middle ground and background – an old, well established formula from view cameras that still works today.
As I move in closer, I continue shooting with the wide angle lens, allowing first, a group of flowers and then individual blossoms to dominate the frame. This gives me the ability to still tell the story of location and environment through the greater composition. When people first purchase a wide angle lens they see it as an opportunity to get a greater view of the distant vista, to include the mountain and the surrounding hills – and are all too disappointed with the results. It’s not until they begin to see the wide angle as a tool for getting in close to the subject, I’m talking within inches – not feet, do they begin to see the possibilities.
Once satisfied, I’ll switch to my 70-200 lens and look to limit the composition to just the flowers themselves. Here I begin looking for those ubiquitous patterns in nature, patters of petals filling the frame, of alternating colors, lines and form, positive and negative space. Ultimately zooming from the wide end up to 200 mm abstracting the subject as I bring the viewer to see the flower in a unique way. I’ll then put on extension tubes which allow me to focus even closer. As you abstract the elements of the flower, digital photography now allows you to “rack focus” with a middle ground f-stop, say f11, shooting several images as you move the shallow depth of field marching towards the back of the composition, knowing later you will combine them into one image with a sharp focus throughout.
What about wind and movement? Use it! Sure you can purchase a “Plant Clamp” to hold the flower steady in a light breeze but why not use the movement to your advantage just as you would with flowing water in a stream. Try longer shutter speeds to abstract the flowers to a wash of color. Even introduce your own movement by intentionally panning with the camera up, down or sideways during the exposure. You may be surprised by the results, perhaps pleased even.
Working the subject I will be changing my location, moving in closer, shooting from the side as well as directly overhead – ultimately I may even spread the legs of my tripod to where it is less than 12 inches off the ground and be lying on my side in the dirt – why? Because it’s about unique perspectives. Flowers aren’t usually photographed from directly overhead nor do most people bother to look at them from the ‘flowers’ perspective. Great images are generally not made at a comfortable standing height having just walked up to your subject.
Don’t wait for the sunny day to go out and look for wildflowers. For images of the flowers themselves your best bet is an overcast day with even lighting. While a sunny day is great for a picnic, and the flowers are beautiful to look at, the shadows caused by the direct sun put too much contrast in the image and where flowers are the only subject the results will be disappointing. Overcast days, even rainy days are some of my favorite for flower photography, good thing I live in Seattle.
The Amish of Lancaster County
BLOG: Lancaster County – Images by Art Wolfe
A day among the Amish
Lancaster, Pennsylvania
Traveling the world I have visited cultures from remote tropical jungles to arid African savannas where living a simple existence is dictated by the lack of natural resources. The people simply must pull a substance living out of the land to survive, a way of life that does not come by choice but by necessity. In between seminars in NY and Philadelphia, I had the opportunity to photograph the Amish of Lancaster County, an interesting contrast to see a culture living a simple existence surrounded by all manner of modern conveniences and technology while doing without all of these trappings not because they have to, but because they choose to.
Photographer and friend Tim Mateer acted as my guide over a couple days; a Mennonite himself, he was able to provide insight into this unique culture that dates back to 1693 when a group branched off from the church in Switzerland led by Jakob Ammann. Those following Jakob became known as Amish and in the 1720s several groups migrated to Lancaster County, Pennsylvania where their decedents still live today. While many think of this as “where the Amish live” separate communities can be found in over half the states in the US and even in Canada. And they are anything but a leftover dying breed, having an average of 7 children they are among the fastest growing populations today with numbers now exceeding 250,000. As they only marry within their faith genetic disorders are high despite their own efforts to marry into different, unrelated communities.
While the Amish live and work on their own farms they share the same public roads and do not try and hide themselves. To the contrary I found them to be quite friendly; the majority greeting me with a wave and a smile as I photographed them passing by. While in general they may prefer to be left to themselves in this area of the country they have become accustomed to tourists and our curious nature.
The Amish prohibition against being photographed isn’t exactly cut and dry. Though you won’t likely find an Amish person photographing or even painting a portrait of themselves adherence to and interpretation of biblical tenants varies wildly from one community to the next. Some are more relaxed, while others, the “old order Amish” are the strictest with prohibition of all things “worldly”. I suspect those I was interacting with were of the former, more relaxed communities of Amish though refusing to accept assistance from the outside or plugging into the electrical grid seem to be universal tenants.
The motivation behind their simple way of life comes from a strict and literal interpretation of the bible where it says one is not to be “conformed to the world”. In general they operate their own schools and educate their children through the 8th grade, young unmarried women teaching the children, this was determined sufficient for success in their way of life. Most are farmers though they are also well known for fine hand crafted furniture and quilts as well.
While the dress code varies among communities, in general they wear very plain clothes of solid colors, long dresses for the women, trousers and wide brimmed hats for the men. Within the community they believe everyone is equal and one individual should not stand out or be elevated above the rest. Women will not cut their hair wearing it in a bun under a prayer cap and the men’s long beards (they won’t shave their beard once married) are a sign of adult hood and maturity though mustaches were historically associated with the military and are forbidden.
The Amish are well known for their horse drawn buggies and wagons. They have begrudgingly compromised with the modern world agreeing in some places to place electric lights and reflectors for safety though they must be provided to them by local municipalities. With careful study of the buggies you can tell one community (generally 20-40 families) from another as there will be little variation, all being equal after all.
I found the Amish children to be just delightful and I smiled to see them being allowed to be just that, children. Granted I was just getting a glimpse but I what I saw were happy kids playing, goofing around, going fishing on the creek banks all smiles and innocence. I had to wonder to myself how different children in my own neighborhood might be if they spent more time outdoors being entertained by nature and their own imaginations as opposed to the internet, video games and TV.
I don’t pretend to know the Amish from my brief encounter and have neither judgment nor intimate knowledge of their ways of life. That said, a little fresh air and sunshine and working with one’s hands would no doubt do us all a little good in our over saturated technology driven lives. Now excuse me as I return to my Mac and work on some more images in Lightroom, gotta get them ready for the next presentation on the big screen and transfer some files for the Las Vegas gallery.
– Art
On Location: Pacific Rim Bonsai Collection
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BLOG: Pacific Rim Bonsai Collection – Images by Art Wolfe
I was out scouting a location for a future photo shoot when I found myself about to drive past the Weyerhaeuser corporate headquarters building here in Washington state. With some time to spare I pulled off and visited their beautiful bonsai gardens where they have 60 unique specimens from 6 different Pacific Rim nations, some were started as long ago as the 1950s.
When I’m out in the field I’m often drawn to compositions of graphic lines and form. You can find beauty in the patterns of nature just about anywhere you go, you just need to be open to seeing them. Bonsai is a collaboration between man and nature that celebrates this beauty. It is up to the individual artist’s imagination to shape the plants through very selective pruning, removing key limbs, creating a balance to the composition, even shaping the limbs directly either with copper wire or by suspending stones from the branches to weigh them down. Over time the plant will adopt this new shape even as the wire and stones are removed.
In this age that has so much slick art dominating the culture it’s nice to see imperfections. The bonsai is a living plant, it will never be absolutely perfect and it is forever growing and slowly changing. This is a very slow, methodical and thoughtful art form. I find peace and a feeling of zen when I have time to just sit back and admire these beautiful works of art. I was drawn in by all of them, whether the great redwood in miniature or the wabi sabi out of balance nature of the one that looked as if it was growing out of the discards from a giant egg. Serendipity played a hand in the timing of my visit as many of the deciduous varieties had yet to fully leaf out allowing the intricate design of their branches to be seen with just a hint of the color yet to come. It will come as no surprise that I have many bonsai trees in my own landscape.
What was intended as merely a scouting mission, I didn’t even have any formal camera gear with me, resulted in a wonderful opportunity to soak in some art and nature and fill my soul. A wonderful day for me is not always about the perfect light and equipment, the images shared here were simply shot on my iPhone. It was a great way to spend the morning, I highly recommend it.
For details on the Weyehaeuser bonsai gardens click here:
http://www.weyerhaeuser.com/Company/Bonsai
Wondering What to Photograph This Weekend?
How about a million shorebirds for starters!
Along the Washington coast we have many species that migrate past our shores both above and below the water. For just 2 to 3 weeks in late April and early May, up to a million shore birds can be found near the town of Grays Harbor on their way to nesting grounds in the arctic. Some of the commonly seen birds include: Killdeer, Black-bellied Plover, Semipalmated Plover, Greater Yellowlegs, Wandering Tattler, Whimbrel, Marbled Godwit, Ruddy Turnstone, Surfbird, Red Knot, Sanderling, Western Sandpiper, Least Sandpiper, Dunlin, Short-billed Dowitcher, and Long-billed Dowitcher.
The birds will take a much needed rest in the mudflats of Bowerman Bay on their long flights from South America all the way up the Pacific Coast until the reach the Arctic where they will nest and prepare for the next generation. Your best chance at seeing the birds comes at high tide when the incoming ocean waters concentrate the birds on just a few points of land where they can still find food and safe harbor. This is a most remarkable region for birding because of its varied habitats: rocky seashore, sandy beaches, large estuaries, rivers, meadows and mountains.
You won’t be alone of course, like the tulip fields of the Skagit Valley which bloom just in front of the migration this phenomena attracts hundreds of bird watchers and nature loves alike. The town of Greys Harbor even sponsors a shore bird festival each year giving you some clue as to when you might want to migrate to the coast yourself.
On Location: Bowerman Basin Shorebird Migration
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May Tips: Shorebird Migration – Images by Art Wolfe
Early May is a great time to catch the migrating shorebirds as they fly up the coast from California, or the Pacific Flyway as it is called. Sanderlings, dunlins, and other assorted shorebirds pause for a couple of weeks at Bowerman Basin in Grays Harbor on the Olympic Peninsula. Boardwalks provide great access. When the tides are high, and there are no exposed mud flats, all the birds are densely packed together. It is quite the spectacle to see a million birds in a tight area. Also, if there happens to be a bird of prey near, they fly around in tight bundles turning in all directions with great precision. It looks like many bodies, but one brain operating them all. It is definitely worth a trip out to the coast if you are in the Pacific Northwest in those two weeks.
The Grays Harbor Shorebird Festival is May 4-6 this year:
