Namibia is the photographic gift that keeps on giving. While I have been to the Sossus dunes many times, the Serra Cafema and Ongava Reserve were new to me. The wildlife is tremendous and the dusty atmosphere is magical.
This three day workshop was filled with intensive field sessions. Art’s goal was to work closely with each participant to really transform and refine their skills. An image can have the power to stimulate the imagination and intellect while also telling a story that awakens the senses. He challenged them to explore the nature of creativity and discover ways to bring its power to each image.
Everyone that attended explored photography and the subjects that were presented more thoroughly than they ever had before. They all walked away with a new perspective on photography and a new found inspiration.
Photographs featured by:
Dianne Tomita
Kevin Coughlin
Kevin & Kyle Mullen
Peter Brisley
Steven Sholly
Sue O’Connell
“Kyle and I really enjoyed the workshop and Art helped me see and create some great images that I wouldn’t have considered before the workshop. I look forward to the next time I can travel with Art for some more great images.”
Ever since I first saw Freeman Patterson’s work (http://www.freemanpatterson.com/) in the mid 1990s, I have wanted to go shoot in Kolmanskop. It was well worth the drive to this out-of-the-way corner of the Namibian desert. Diamonds were discovered here in 1908 and the town soon became very rich, but the diamonds were soon exhausted, and Kolmanskop was deserted by the mid 1950s. Now, as the paint continues to peel and the sands shift, it is a tremendous place to work the light and shadows.
We then headed due east to photograph one of the few extant kokerboom “forests.” These aloe trees grow sparsely among the rugged boulder landscape. We stayed there well into the night to get long exposures of the Milky Way.
Wow! I hate being out of contact for so long! Connectivity has been a struggle and I was just able to upload a few photos from my recent shoot in the Duba Plains of the Okavango Delta. We were the only people to see a lion and buffalo take down in weeks, so I feel extremely fortunate. Over the course of ten days we also were able to photograph gorgeous leopards and magnificent herds of elephants. Perhaps, it isn’t so bad to be out of touch after all!
My bag arrived in time for one day’s shoot. We had just five days over the water and four of them were just too windy and the whales were very shy. There was one, though, who would stay on the ocean bottom where we barely could see him and then every 20 minutes he would come up for air. Our trick was to swim like hell to intersect him when he reached the surface without being clobbered. I got three chances, and during one, I guessed right and he came up just in front of me. I could have grabbed his tail and gone for a ride. Now I am off for the Duba Plains in Botswana; hopefully, my bags will make it with me! Stay tuned!
As many of you know by now, my trip to Tonga marks the first time in decades of rugged and remote travel that my bags have not made it with me. Thwarted by airlines, mechanical troubles, and weather, I have one camera, no underwater gear, the clothes on my back and boatloads of frustration. Thank you to Darren Jew who has been stellar in allowing me to use his equipment so the trip wouldn’t be a complete and total washout.
We had an exciting three-day workshop in Astoria, Oregon, concentrating on abstracts and one very old clown car. Can you guess which photos are from the clown car?
Sockeye salmon run thick in the rivers and streams of Katmai. However, these fish are smart. I was unable to capture the shots I wanted of the fish since they were very agitated by the bears hunting them. The bears work in unison, churning the water, then snagging the confused fish in their powerful jaws.
Katmai National Park is one of my go-to places for bears. It is extraordinary to say the least & the scenery isn’t too shabby either. In particular, I was able to photograph a sow & her two cubs. She looked at me, looked at her cubs, and sat down as if giving me permission.
My friends and I had a great time wandering around various parts of the Salish Sea in search of orca whales. While we did finally spot 8 transient whales on our adventure it takes either really good light or unusual behaviors such as spy hopping and breaching the surface to make the photo and alas we had neither that day. To really photograph orcas takes a bit of luck (which I often have) and a lot of time (which I never have). I have been fortunate enough to see them in Antarctica, Argentina, New Zealand, Norway, and Alaska and I was hoping to have some shots of them in my own back yard for my next book project but it wasn’t to be this time around.