The first decision every photographer must make is simply what to photograph. The best place to start, of course, is finding what appeals to you. If finding subject matter to photograph is easy, making it stand out is harder. Our first impulse when something catches our eye is to simply point the camera, center the subject, and shoot the picture. No surprise, then, that when we look at it later, we are all too often disappointed and wonder, “Why did I take that?”
The novelist and critic Henry James wrote, “In art, economy is always beauty.”
In a landscape, there is often a glut of information. For that reason, artists who sketch in the field will often take a piece of cardboard with a rectangle cut from the middle. By holding it
up to frame various sections in the scene, they can isolate what has potential to make a strong composition.
This can also be a valuable aid for photographers who have trouble visualizing the potential field of view of different focal length lenses. The closer you hold the hole in the board to your eye, the more it approximates the field of view of a wide-angle lens. The farther away you hold it, the more it resembles what a telephoto lens might see.
Isolating the subject is the first step in making a strong composition. This can be achieved in a number of ways-coming in close, backing up, looking down, looking up, changing the direction
of the light on the subject, waiting for another time of day, blurring the action or stopping the action, using selective focus to blur unwanted elements, putting a light subject against a dark background. All of these are potential creative solutions that We will address throughout this book.
Isolating your emotional response to the subject may be more complicated and take time and practice, but it is an important step for an artist. If you can analyze why you feel drawn to make a picture, and work to express the feeling clearly, chances are someone looking at it will ah respond with more than passing interest.
The image gallery above are all examples from my travels to Kenya in which I wanted to focus more on the emotions, textures, and compositions of isolated subjects and families. I’ll be heading back to Kenya in January – join me and make your own memories!
For anyone looking to join an upcoming workshop here in the Pacific Northwest, I’ve extended the early bird savings on some upcoming workshops though the weekend – save a couple hundred bucks and join me in one of two very different locations!
The first opportunity begins August 17th, with a small group photography retreat on the Oregon Coast. While I’m often leading a group in Abstract Astoria, this is an opportunity to explore new locations in a small-group setting of five travelers. While any workshop I lead will include a healthy dose of finding abstractions and unique points of view, this one will focus more on the breathtaking seaside landscapes that the coast has to offer.
The following trip brings us inland, to the Palouse of Eastern Washington. Often referred to as “The American Tuscany”, the Palouse is home to breathtaking landscapes, turn-of-the-century farms and rolling hills of gold under blue skies. It really couldn’t be much different from the mossy, rocky, misty shores of Oregon. I’m looking forward to the juxtaposition of exploring these varied locations back to back!
All of this follows my Katmai bear workshops, both of which only have one or two spots left available – make this year your year to go and claim one of them and capture your own amazing shots of one of America’s signature wildlife attractions.
If I don’t see you on a workshop, have a fantastic summer! If you need inspiration for photography goals, peruse the blog – I’m sure you’ll find something to spark an idea!
Unless you’re new to checking out the blog (Welcome, if so!) you’ve heard of my popular Abstract Astoria Workshop. It’s been a consistent destination for us year after year, and for good reason. As the oldest city on the west coast, Astoria is a venerable Scandinavian-inspired burg with an abundance of character and old-school charm. Culinary delights are around every corner, and on those corners you’re bound to find museums, breweries, and even old forts— abandoned, but ripe with photographic opportunity.
This makes it an easy choice for a recurring abstract workshop. Not only are the traditional vistas, shores, and surrounding forest great opportunities for your standard fare travel photos, the aged concrete bunkers, rusted logging equipment and waterways of moiré patterns nestled in amongst the greenery and culture make for an amazing trifecta of creativity, photography, and hospitality.
These are just some of the reasons we keep going back— and why this workshop has so many repeat clients. We’ll be heading back next spring, and now is a good time to plan your trip as this one will assuredly be a sell-out as usual! Check out the events page for this location and more.
Summer is near, and I’m feeling it in Seattle! Coming off a fantastic weekend workshop that began last Friday evening with a meet and greet at my home, I came away feeling invigorated after working with everyone who joined.
We added some smaller-group workshops to our events page – and they immediately sold out. If this is something that interests you, we will work with you to figure something out when my schedule allows. The up-side of these smaller trips are more one-on-one time as well as having accommodations and transportation resolved for you.
For the spontaneous adventurer who can get themselves here at the end of the week, one spot remains to join us on the Olympic peninsula. Who is us? Myself, my long-time shooting partner Gavriel Jecan, and office superstar Libby Pfeiffer who assembles these fantastic opportunities.
The Columbia river gorge is one of the most iconic locations on the west coast, and there are a few spots left to join Gav and myself here in early June. While we will have plenty of opportunities to capture the vistas, waterfalls and temperate rainforest of the area our goal here is to use this naturally beautiful location to dial into the abstract. This is something I’ve taught myself to do over decades, and there’s nothing I enjoy more than teaching it to you.
Before the summer wraps up, I’ll be returning to Katmai, Alaska – home to the bear that adorns the cover of my upcoming book, Wild Lives. We’ve been working with the same folks on the ground (and in the air!) for a long time now, and I always look forward to the two weeks we spend teaching workshops here. We are fast approaching the time of year when the last few spots for these opportunities fill up – so don’t miss out and sign up today!
Teaching what I love to do is my passion and the breakthroughs that happen on our workshops are, simply put – awesome. Being able to pass on a lifetime of learning is why I do this!
Over the weekend, we officially entered into Dark-Sky Week! I’ve had the pleasure of getting to know the folks over at the International Dark-Sky Association for a while now and along the way I’ve learned much regarding the benefits of curbing light pollution. I’ve long known about it’s impact on night photography – but the issues that arise from an abundance of artificial light are much more complex than you might believe. To that end, IDA has created International Dark Sky week to bring awareness to many of those issues – from disrupting the patterns and habits of wildlife to artificially manipulating the moods and routines of human beings.
It may seem harmless, but light pollution has far-reaching consequences that are harmful to all living things. Effective outdoor lighting reduces light pollution, leading to a better quality of life for all. The dark sky movement is working to bring better lighting to communities around the world so that all life can thrive.
-International Dark-Sky Association
For more information and to find out what you can do to raise awareness within your community photographic or otherwise, visit DARKSKY.ORG.
To commemorate the increasingly popular topic of light pollution and efforts by the IDA to bring awareness to it’s benefits, I am currently running a 25% discount on my most recently (as of this post!) published book project, Night On Earth as well as my entire print collection – good this week only, until the end of Dark Sky Week on April 22nd.
I’ve picked out some of my favorite night-related prints, found below if you need a starting point. It’s always nice to be able to spark a dialogue with the photographs and artwork you choose to hang on your wall. With the accessible information in Night On Earth and the efforts of the IDA, these make for an excellent conversation piece.
AURORASTARTRAILS OVER DEADVLEINIGHT FISHERMENSTAR TRAILS OVER CEREUS CACTUSCOMET NEOWISE & MT. RAINIERTUAREG TRIBESMENINLE FISHERMENMILKY WAY OVER THE DEVIL’S MARBLESKOKERBOOMWAITING FOR NIGHTEVENING AT THE PUSHKAR FAIRCELESTIAL MOAI
Red alert for fans & collectors of wildlife books! There are a couple titles that I am involved in that I want to highlight that are either being funded or published this week. While they are different in their subject matter and approach, they both deserve your consideration and support.
Remembering Wildlife is now funding Remembering Leopards, their eighth in the Remembering series which has raised over $1.3 million for wildlife conservation. My photo of a leopard is a featured print in the limited edition book, of which there will be fifty copies. The aim of the creators is to make the most beautiful book ever seen on the featured species and to use that to not only raise awareness of conservation issues but also, more importantly, to raise funds for organizations working for its protection. The Kickstarter for this book is now live. You can pre-order the book (as well as grab many other rewards) to give the producers the cashflow to make it happen!
Being published this week is author/photographer Graeme Green’s The New Big 5: A Global Photography Project for Endangered Wildlife. Over five years ago he contacted us about an idea he had about creating a new Big Five of wildlife photography. The Big Five was a term coined by game hunters and includes the African lion, leopard, rhino, elephant, and buffalo. Graeme took this phrase and has turned it on its head. In his book being published on April 4th, he has brought together 165 wildlife photographers (including me) and conservationists to raise awareness of the crucial issues facing the world’s wildlife. Order your copy today!
I’m happy to have a full slate of upcoming workshops on the calendar for your perusal – from the great Smoky Mountains to here in the Northwest, abstract workshops and nature retreats abound! Sign up today, save a few hundred bucks, and I’ll see you there!
You know what I loved about this latest “Winter in Japan” workshop? The Snow! Meaning snow was falling as we photographing in various locations. It made for great conditions at the snow monkey hot springs farther north in Hokkaido. It was positively magical with the iconic Japanese cranes; the world looked like a shaken snow globe. Using a faster shutter speed really emphasizes the snowflakes. Depending on the light conditions, I was using ISOs between 2000 and 4000 with my favorite 100-500mm lens.
With my new book Wild just around the corner, I’ve been heavily focused on capturing wildlife images that I’d like to include – however it’s time to get back to another passion of mine: abstract workshops! We have a few on the upcoming calendar and these are always eye-opening experiences for the folks to attend. Not only will the exercises and lessons expand your understanding of capturing an interesting provocative abstract image, the fundamentals we discuss and experience will be another tool in your kit to think about for all future photographs.
It’s my goal to ensure you come away with applicable tactics to approach all photographic opportunities with a thoughtful, unique creative eye. Even if abstract subject matter isn’t necessarily interesting to you, the creative process of capturing them is virtually guaranteed to make you a better overall photographer. . . and who knows, you might just spark a new passion!
Check out the events page for all of my upcoming workshops – we’ve just added a couple more!
Grand Teton National Park ranks among my favorite locations for capturing spectacular fall color. The balance of the massive Teton Range hedged by the beautiful golds, oranges and reds of the foreground flora provides a number of distinct opportunities to capture this juxtaposition of stone and verdure.
Last year a group of my associates were blessed with several perfect sunrise sessions, each with their own unique characteristics to explore. The gorgeous photos in this gallery were captured my my assistant Libby Pfeiffer – I think she got great shots! For a photographer, mornings always come early, and not always easily – yet when the click of your shutter echoes in the quiet morning hours you forget all about missing sleep and are captured in the exhilaration of the moment.
I’ll be leading a Grand Teton workshop next fall, and If this is a location you’ve wanted to visit or if capturing pristine fall color is on your agenda, I highly encourage you to sign up and join our group. I always enjoy seeing and helping our participants push their boundaries and each other to create unique and beautiful images. On top of that, the friends and stories you create along the way will last a lifetime.
The following is an abbreviated excerpt from The New Art of Photographing Nature.
Great Smoky Mountains Photography Retreat – Save $300!
Joshua Tree Workshop – Save $200!
Abstract Columbia River Gorge – Save $300!
Grand Teton Photography Retreat – Save $300!
Hidden Northwest Lake Quinault Photography Retreat – Save $300!
