On March 14, 1903, President Theodore Roosevelt established Pelican Island National Wildlife Refuge, along Florida’s Atlantic coast, as the first unit of what would become the National Wildlife Refuge System. There are now more than 560 refuges across the country that protect species and the landscapes they depend upon for survival.
My favorite refuge is the Arctic National Wildlife Refuge. After rafting rivers in the refuge several times over the years, I filmed an episode of Travels to the Edge there in 2006, which can now be streamed online!
You never know what you will find when wandering around a city with a camera in hand. When light and subject and circumstance come together, magic can occur.
In this particular case, the facts behind the shot are nothing special. Workers had been putting gravel onto the parking lot of a restaurant in Panjim, Goa, which kicked a lot of dust into the air. Pedestrians were simply going about their business. However, when backlit by a late sun, the scene became street art–performance art. The activity of putting gravel down created an amazing atmosphere for a nicely layered image.
Standing back from the scene, I used a 70–200mm zoom, which enabled me to shoot a series of shots without interfering with the people so that they would not pay attention to my presence. I positioned myself looking directly into the late afternoon light so that the dust kicked into the air would be filled with light. I was not so much concerned about capturing details and faces of the people, as much as I was with the positions of the bodies within the frame. I kept shooting and reframing the shot as the scene changed every couple of seconds when the workers threw on the next load of gravel and different people came through the scene. I love the layering effect of the light and dust that comes from the backlight.
Photo tip: Dust, rain, humidity, fog, haze all add dimension to a scene when shot with backlight, light behind the conditions. It creates atmosphere and interesting changes in tonality and light, as well as creating layers in depth. Be careful that bright atmospheric conditions do not cause your camera to underexpose the scene.
Camera & settings used: Canon EOS-1Ds, EF 70–200mm F2.8 lens, f/7.1 for 1/160 sec., ISO 100
Celebrations abound for Lunar New Year among Asian cultures, with various Buddhist traditions marking the occasion. I’ve been fortunate to have experienced the festivities myself in person several times. Some fond memories:
In 2005, I visited Labrang Monastery in the Gansu province of China to witness the unfurling of a thangka – a large tapestry of painted cotton usually depicting a scene from the Buddhist belief system and way of life. The tapestry is carried by the monks up the long hill where it is unfurled and displayed above the monastery.
A few years later, I visited Bhutan and photographed the prayer flags and temple dancers that constitute a part of their lunar new year traditions. The prayer flags have come up several time in my talks and lessons, which might be an indicator of just how fascinated I was with this location. Prayers are inscribed on flags that have been erected in the loftiest, windiest heights so that the gusts turn the flags into tatters and send the prayers scattering to the heavens one fiber at a time.
Finally, in more recent years I witnessed the Setsubun Festival in Japan where elaborate costumes and traditions such as throwing packets of roasted soy beans and burning tree boughs wards off the lingering evil spirits of the previous year and bringing hope to the new one.
Happy year of the Tiger! Enjoy the image gallery above, and check out the episode of Travels to the Edge on Bhutan to learn more about this truly unique culture.
I’m pleased to be joining B&H Photo Video and the National Parks At Night organization to discuss my most recent book Night On Earth in a couple weeks. How might you catch my talk and many MANY more insights into photographing between dusk and dawn? I’m glad you asked!
WHAT:
The Night Photography Summit
WHO:
More than 25 presenters teaching over 40 classes and participating in 3 panel discussions on the subject of night photography
When:
February 4 – 6, 2022 – with access for all participants to all recordings of the summit presentations through February 7, 2023!
Where:
Everything will be online – find out more information on the official Night Photo Summit Page by clicking here.
Why:
You’re a photographer of any skill level who wants to up your knowledge of shooting at night, astrophotography, and much much more!
I also have a number of new workshops being added in the coming months. It’s been tough to navigate the calendar with how fast things change in terms of COVID, but my staff is getting quite good at it and we take every precaution. We may not be able to buy happiness, but we can purchase a little peace of mind in the form of travel insurance and I highly recommend utilizing it, especially during these *deep breath* unprecedented times.
I’ll be LIVE in Seattle next week for another talk at Town hall Seattle – this time discussing my new book Night On Earth – and I’m thrilled to be joined by Ruskin Hartley of the International Dark-Sky Association. Ruskin is an expert on the subject of light pollution and the efforts to preserve the deep, dark night skies that allow us to view the heavens and the trillions stars that surround us – among many other conservation efforts!
Town Hall Seattle – The Forum
1119 8th Ave (Entrance off Seneca St.)
Seattle, Washington 98101
Nighttime is wonderfully mysterious, beautiful, and full of a certain kind of energy — and most of the time, we diurnal humans sleep right through it. Have you ever wondered what would happen if you could not only stay awake for it all but also peek in on what’s happening at night across the entire planet?
In his newest book, Night on Earth, acclaimed photographer Art Wolfe gives us a glimpse of nature, animals, and human activity on every continent, after the sun goes down. Blazing sunsets over Antarctic ice. Night markets pulsing with activity in Morocco. Glittering star trails over the Australian outback. Colonies of penguins awaking to the dawn. Wolfe reveals it all through a dazzling compilation of photos that Sir David Attenborough calls “…a suburb evocation of some of the most breathtaking spectacles in the world.”
Wolfe takes the Great Hall stage to present slides and share stories of his travels, the process of creating the book, and the fine art of picture-making at night.
Art Wolfe is an American photographer and conservationist, best known for color images of landscapes, wildlife, and indigenous cultures. His photographs document scenes from every continent and hundreds of locations, and have been noted by environmental advocacy groups for their stunning visual impact. Wolfe has created millions of images in his lifetime and travels nearly nine months out of the year photographing for new projects, leading photographic tours and seminars, and giving inspirational presentations.
Ruskin Hartley is the CEO and Executive Director at The International Dark-Sky Association, where he champions equitable access to dark skies and quality lighting for all through IDA’s award-winning programs. Prior to his position with IDA, Ruskin directed and managed conservation programs that protect land, water, and ocean resources. He has served as executive director of Save the Redwoods League, as president and CEO of Heal the Bay in Los Angeles, and as vice president of resource development at Fair Trade USA.
Just a couple weeks left until I open the doors of my home & garden to the group joining me in Seattle for my lecture, field session, and critique under the umbrella of The Art Of Seeing! Before this two-day workshop kicks off, join me on a Friday evening at my home in West Seattle for beverages and hors d’oeuvres as well as an exclusive look at my upcoming book, Night On Earth.
Over the course of this two-day workshop I’ll present lectures infused with lessons from Art History as well as my own hands-on five decades of experience as an artist, photographer, instructor, and world traveler. Then, we will take those lessons out into the field for shooting sessions – see how I work on location and the simple but effective ways to change your approach and perspective to come away with unique shots that speak to your own personal artistic vision!
Finally we will wrap it all up with what tends to be a participant favorite session – the critique, where I’ll take a look at your images from throughout the weekend and give my advice on how they might be improved, or recognition of a job well done, along with answering the “why” in each instance.
Hope to see you there! Space is limited as we allow for room for social distancing. Please note – to keep myself and my assistance safe and to streamline the process of acquiring venues and accommodations, we ask that all workshop participants be fully vaccinated against COVID-19.
It’s been a warm and dry summer here in the Pacific northwest. Until this past week, we hadn’t seen a drop of rain in the city most famous for it in nearly two months, and more often than not the temperatures have been in the upper 80’s and low 90s.
I’ve been fortunate to get away on tours recently in Katmai, and I’m preparing this week to go with a fantastic small group to Iceland – where there is still room to join if you are the spontaneous type.
With limited trips last year and so much uncertainty, I’m looking forward to capturing the fall color once again – and cooler temperatures! It’s unfortunate that we seem to be taking a step backwards in terms of combating COVID, but executing workshops has become much easier when you know the right questions to ask and have been through it all.
If you’ve been thinking about joining a workshop, we’ve got several coming up that highlight the fall color in the Western U.S., as well as a shindig at my place in October to kick off a weekend I’ve titled The Art of Seeing. Looking forward to seeing you there!
Short but sweet today, as our group arrives at the lodge up here in Katmai, Alaska. I missed out on visiting last summer, so I’m excited to see how things have changed in the past couple of years. My visits to this region have been so frequent that I’ve grown to recognize individual bears over the years – hopefully they haven’t grown up or changed too much in that time! Here are some of my favorite shots from this location over the years. Each time I go to this location, I have a new goal in mind. It’s interesting to look back and see how my shots and focus has changed from year to year. This time I definitely want to get some artistic shots of the beautiful vibrant salmon to illustrate many of the things I talk about when I speak of “changing the way you see”. I mean it! Stay tuned for new photos when I return!
This will be the first of two sold-out tours happening back to back – check out my events page to get your name on the list early for next year’s tours so you don’t miss out!
Happy Friday! Currently packing for a couple tours in Katmai, and I can’t wait to get out there with our group. I missed this last year, so it’ll be great to get back to it – and good to see our associates on the ground here as well that help our workshops run smoothly!
In the immediate future, there are limited spots left for both the Abstract Port Townsend and Iceland tours happening in August. Two very different experiences! Iceland has been filling up incredibly fast for being a new addition, so if it’s a trip you’ve been thinking about – now is the time!
it’s also a good time to be looking ahead to next year. I’ll be back here in Alaska – so if you missed it this year before they sold out, you’ve got another chance with lots of time to prepare, but don’t hesitate to grab your spot as these always sell out. I’ll also be heading to Japan, Africa, and Mongolia next year as well. Lets go shoot!
I’m in the midst of going through all my photos from several recent workshops – all back to back, so my editing time has been limited! I did pull a few of my favorite shots from Oregon’s Lost Lake, looking out to Mt. Hood – the tallest mountain in the state, and also a dormant stratovolcano.
I often talk about the many ways to shoot a subject, and even from essentially the same vantage point you can find ways to make even a giant mountain feel different, and tell a different story.
For starters, the environmental portrait! This is a great way to open when sharing your photos, giving context to the scene. Here the calm lake is prominent, framed by the iconic evergreens of the pacific northwest. We get a good sense of place for the looming mountain.
Here we have the same elements – the lake is still present as well as the trees, but the mountain has become front and center. The lower sun is casting warmer hues on the mountain, separating it from the background. We still get a sense of place, but the mountain has become the star!
Here, the mountain is definitely the star feature. The lakes and trees still inform a bit of the environment, but the great mountain is free of the framing branches that kept it from feeling quite as prominent.
And finally – a vertical that takes us back to the sense of place – standing under the shady limbs of the evergreens. From all these shots, you can see from the forms and patterns on it’s surface that my angle on the mountain hasn’t changed – just taken a few steps one direction or another, gotten down lower to the ground, or tried a different focal length. Small differences can completely change the results of your shot!
You never know what you will find when wandering around a city with a camera in hand. When light and subject and circumstance come together, magic can occur.
Here we have the same elements – the lake is still present as well as the trees, but the mountain has become front and center. The lower sun is casting warmer hues on the mountain, separating it from the background. We still get a sense of place, but the mountain has become the star!
Here, the mountain is definitely the star feature. The lakes and trees still inform a bit of the environment, but the great mountain is free of the framing branches that kept it from feeling quite as prominent.
