Do Your Homework on Location
When you get to a location, you should scout out all the possibilities. Catalog the opportunities and return when the lighting will be optimal. Shot on location in Antarctica.

When you get to a location, you should scout out all the possibilities. Catalog the opportunities and return when the lighting will be optimal. Shot on location in Antarctica.
July is Outdoor Photography Month at CreativeLive!
I take you on a photo tour of incredible destinations and explain my artistic workflow in “Maximizing the Potential of Remote Locations: Arctic to Antarctic“.
Do you want to travel to any of the remote locations I mention? Check out the Events page.
Also, through July 31st get 30% off all online courses at CreativeLive!
Three spots remaining for the Palouse Workshop with me, Libby Pfeiffer, and Gavriel Jecan.
Bring your sun hat and join us in the photographic exploration of this wondrous landscape!
“Each day, Art would present an abstract element (such as “lines”) and clearly articulate how it could be effectively incorporated into the elements of a picture. Then we would travel to a spot chosen not for its beauty but instead for its ease of incorporating the “abstraction of the day” into our own photographs. Art and his assistants were there to answer questions, but the photographs we took were our own creations. Each morning we presented our own work to the group and for Art’s critique. His gentle humor kept the anxiety levels down and made for a great learning experience.”—Mike Colpitts
“Attending Art Wolfe’s Olympic Peninsula workshop was the most inspiring 2 1/2 days I have experienced as a photographer. The lectures, field time and critique provided a comprehensive learning environment. Art freely shares techniques and tips from his vast experience and shares them in a fun and memorable manner. And, his assistants are terrific photographers who provided excellent ideas in the field. All up, it was a phenomenal workshop — I learned a lot, had a lot of fun and am anxious to sign up for another.”—Ondra Hidley
“This was an amazing workshop that I enjoyed a lot. It was a great honor to meet and work with Art and his team.”—Mathieu Jonkers
“Art and his team taught us how to create photos, not just take photos. He brought out the artist in each of us, teaching us to compose images with our digital cameras as an artist would compose a painting with humor and energy created a wonderful environment of fun and laughter!”—Paige Roberts
“Studying with Art and his team was a fantastic experience. The workshop was full of precise and valuable information delivered with excellent humor. I’m thankful to have been able to study with such a world-class group of educators, and my photography is much better for having done so.”—Liana Lewis
“I appreciated the personal attention everyone received. In the field Art made sure that I got the most out of each shooting location. In the classes, as well as in the field, Art focused on us seeing things differently. During critiques, he edited our work, transforming the photographs as we watched, which was very insightful. His feedback was enormously helpful and I came away with a better understanding of how to take a more compelling photograph.”—Liz Fanning
“The Art Wolfe Olympic Peninsula Workshop was a tremendous opportunity to learn a great deal about photography in a few short days. We were at the mercy of the weather, and although we had too much sun at times that hampered some of the scenes, and too many clouds that disrupted a potentially awesome sunset, the assistant instructors, who were very knowledgeable and passionate about photography provided valuable insight into the creative process of capturing the most striking features of a scene. Art Wolfe provided a wealth of information on composition, equipment and techniques – and also helped me set-up a shoot in the middle of a rock-strewn stream. The workshop was very worthwhile – and highly recommended. “—Ric Raunio
Are you interested in being in-studio during my Maximizing the Potential of Remote Locations: Arctic to Antarctic on Monday June 22 , 2015 from 8AM to 10AM in Seattle? We’re looking for outdoor and nature photographers who want to learn about working in remote locations and how to get the most out of their shoots. Learn what is it like to learn in-person at CreativeLive.
If you would like to be considered, fill out this form. There is a limited amount of seating and CreativeLive will reach out directly if you are chosen to be a part of this workshop.
Traveling with photography gear can be a pain, especially if you are not sure what to bring and what to leave at home. Here are the basics that I take with me on every trip, and it all fits in one backpack! Filmed on South Georgia Island.
Also see this blog post for the latest update on equipment I use.
Thousands have been touched by Art Wolfe’s presentations and workshops.
This Father’s Day consider giving Dad a jolt of inspiration and an experience he will never forget, whether it’s a one day seminar or a two week expedition at the ends of the earth. Art offers photographic learning at all levels of expertise and energy.
Find more information on our events site.
“I attended your lecture in Chicago…and want you to know that it was one of the most coherent, well organized, and inspiring talks I have ever heard. I am a physician in an academic medical center and lecture often. I try to inspire and add humor to my talks. You achieved these goals in a masterful way. You made learning seem effortless. In addition, your work is absolutely stunning and I would venture to say that you are a contemporary master of the medium.”—David E.
“I attended his lecture on The Art of Composition at the Colorado History Museum last year and I thought it was one of the best presentations I have ever attended. My original expectation was that it would be a technical discussion of how Art captures those magical photographs. It was much, much better than that, a thoughtful discussion of what it means to be an artist who happens to use a camera as his medium for expressing his views about nature and the world we live in.”—Richard N.
When lining up a background for a subject, make sure to give it a clean background to create a more graphic image. In this example I am trying to shoot a Chinstrap penguin in Antarctica where the snowy backdrop isn’t working to make the white belly of my subject pop.
I will be presenting Earth Is My Witness at the Gates Planetarium at the Denver Museum of Nature and Science (DMNS) on Friday, June 5th.
On the following day I will be giving my Art of Composition Seminar at the DMNS Ricketson Auditorium.
Consider these for a Father’s Day gift or a graduation present!
“Without hesitation it was the best photography workshop I have ever attended. By best I mean he combines the finest qualities of artist, photographer and teacher (including the ability to entertain), which is a rare combination today.” —Laurie N.
When I photograph, I am always looking for elements of design such as line, pattern and texture, as visual cues. Shot on South Georgia Island.
For one week only, save 25% off Migrations: Wildlife in Motion by entering the coupon code migrate after you have the book in your cart.