In anticipation of finally getting back to world travel, I’ve been easing back into the swing of things by making a few day trips to visit our neighbor to the north to photograph the birds of the region – predominantly owls in this case. Solitary and intelligent, owls are some of my favorite animals to photograph. Although stoic and not as playful as many animals, at any moment they can burst into a flash of spectacular action to make a precision strike on their prey. Featured in this set are a variety of owls – short-eared, long-eared, barn owl, and even a pygmy owl hunting voles which I was incredibly happy to find here. Enjoy!
We are fast approaching spring and kicking off quite a few events in the beautiful Pacific Northwest. Come join me for a seminar or a workshop whether you’re local or just want to visit!
Photography As Art is coming back to Seattle, and soon! If you’ve missed out in the past, now’s your chance. This seminar tends to fill up fast as it gets near, so sign up today to ensure your spot! If you’ve attended this seminar in the past, I’m continually revising it to add new photos and perspectives, so it can be a great refresher while you prepare for spring shooting!
Always a fan favorite! We will include some new locations this time around, and work with 6-stop neutral density filters to expand on technique. This is an excellent way to experience the Pacific Northwest, whether you’re a native who wants to explore your own back yard, or from out of the area and want to experience the lush variety of our corner of the world where it converges between the Olympic range and the Pacific ocean
Situated at the mouth of the mighty Columbia River, Astoria is a fascinating and revitalizing port city with a history tied to the early territorial aspirations of the United States. My goal is work closely with each participant to truly transform and refine their skills while exploring the nature of creativity itself. This ties strongly into the subject matter I cover in Photography As Art.
Same locations, two different seasons to capture beautiful Mt. Rainier and the surrounding Cascade Range, as well as the lush forest, meadows, and surrounding forests! We will use the setting of Mt. Rainier National Park to discuss composition and design in nature photography. Aside from lessons in the field, there will also be lectures on these subjects as well as informative critiques of your work in the field.
Art Wolfe: Spotlighting is an often unpredictable event that can create and unexpected picture. With this image of a tiger in the dense forest, it was essential that I spot-meter the tiger’s illuminated face to ensure it was exposed correctly, since all of the deep shadows could have easily fooled the camera’s meter.
Martha Hill: I find this image intriguing. Tigers are among the most elusive of the big cats, and this image, by showing it lurking in the shadows, perfectly captures the animal’s mystery. To me it is a more evocative rendering of the subject than the more commonplace, out-in-the-open view we often see.
Art Wolfe: In the hours prior to this shot (of Bridalveil Fall), the valley had been covered in flat light under solid cloud cover. Late in the afternoon, however, the clouds began to break, sending shafts of light onto the faces of El Capitan and Half Dome, and, in this case, the waterfalls that rush over the cliffs in early spring.
Getting the proper exposure in a shot like this can be challenging. using my camera’s spot meter, I took a reading off the brightest area and opened up to keep the whole image from getting too dark.
Martha Hill: This image has drama and mood. Bridalveil Fall is one of Yosemite’s most photographed icons, but the unusual lighting conditions captured here set this image apart. The momentary beam of light illuminates the distant waterfall, directing the eye immediately to it. Under different conditions, such as an even lighting, we might overlook the waterfall altogether in this already dramatic landscape. The success of this image depends on timing – waiting for the exact moment when the light will highlight an interesting visual element.
This week I spent some time with my friends Bill Edwards and Greg Green visiting the George C. Reifel Migratory Bird Sanctuary in British Columbia, Canada. It was nice to get out shooting again and it only made me that much more anxious to get out traveling again! This is the longest stretch I’ve been home in the past 40 years or so by a long shot. The variety of birds and their fearlessness when it comes to human visitors was remarkable.
Enjoy, and stay tuned for more new shots from the field as I ease back in to traveling!
As you may or may not know, the latest tax bill passed by the Trump administration recently included provisions to lift the decades-old ban on oil and gas drilling in the Arctic National Wildlife Refuge in northeastern Alaska. ANWR is home to more than 250 animal species, and is a location I’ve returned to many times over the course of my career to capture the tranquil and relatively untouched landscape.
Bare Essentials Magazine was kind enough to include my perspective on this very important matter in the latest edition of their online magazine – check it out! My piece, along with several photographs from various parts of ANWR begins on page 111.
Audubon has dubbed 2018 the “Year of the Bird” in recognition of the 100th anniversary of the Migratory Bird Treaty Act. Something to think about if you’re looking for inspiration or the basis for your next photo adventure! For more information on Audubon’s Year of the Bird, click here!
Above are some of my favorite shots of our feathered friends from over the years. If you have a great bird shot you would like to share, post it to Instagram using hashtags #Audubon, #BirdsOfInstagram and #Birdstagram! Audubon is also holding a contest – so send in your best avian photo and win up to $5000!
Every year I sit down both personally and with my staff to reflect on the year’s projects as well as the photographs from locations new and revisited. I can’t believe how much we were able to fit into 2017, and although I’m starting off 2018 recovering – very swiftly and beyond expectation, I might add – from foot surgery, I’m looking forward to seeing what we can accomplish in 2018!
Here are many of the highlights from the past year:
• We added new content to the website to give you more reasons to check back in with us! Where’s Art? was a segment we created as part of our new Multimedia page. It’s great to give you slide shows from my travels, but adding a voice to each unique trip brings something new to the table. Stay tuned for new editions from Mexico and Hawaii!
•I’ve begun doing portfolio reviews, with a few different packages to choose from. If you purchased one over the holidays and have submitted your photos, they are my focus for the current and coming weeks!
• We also added a new gear page where you can check out much of the equipment I use in the field, and we also focused on bringing you tips and tricks every Technique Tuesday on the blog.
• We had several terrific workshops here in my stomping grounds of the Pacific Northwest and Alaska: Columbia River Gorge, Abstract Astoria, Glacier Bay and Katmai National Parks, and over on the Olympic Peninsula at Olympic and Mount Rainier National Parks, as well as Lake Quinault.
• I brought Photography As Art to the following cities: Austin, Atlanta, Portland, Scottsdale, Chicago, San Francisco, Washington DC, Dallas, and Seattle. Check out 2018’s current slate of cities with more likely to be added!
• An outdoor exhibit of Vanishing Act took place in Hamburg – what a great way to see your work displayed!
• Three new books were contracted with my publisher, Earth Aware Editions. A new edition ofEarth Is My Witnesswas released in the US and UK, and new French and Italian editions of Witness and the New Art of Photographing Nature were also published.
• Amazon added the first season of Travels to the Edge to their offerings on Prime streaming video!
• Photos and more photos! You can find my 2017 slide show here; from clicks and comments, it seems like your favorites were a bit different, with an emphasis on the Lofoten Islands. Hmm, perhaps I should schedule another workshop there. . .
• I’m in the process of planning my schedule for the next three years; keep an eye on my events page as well as the blog to stay up to date!
Myself and the staff wish you a healthy and prosperous 2018!
Sponsored by Angama Mara, The Greatest Maasai Mara Photographer of the Year will win a cash prize of $10,000 USD, as well as an unforgettable all-expenses-paid 5-night safari in the Maasai Mara, with accommodation for two at lovely Angama Mara, a private vehicle at their disposal and return flights from Nairobi.
Your entry fees will go to support these important conservation organizations:
“Abstract Astoria” is one of my most popular workshops, and it’s time to take it across the country! I’ve been honing my abstract workshops in conjunction with Photography As Artseminars for years, and I think Atlanta is the perfect location to take it to the next level!
New locations await those who have joined me on previous workshops in the wilderness of the Olympic Peninsula. We’ll also explore using 6-stop neutral density filters in the field to capture the old growth forest, wildlife, and waterfalls.
A recurring classic returns! This workshop is always a sell out, and for good reason – it’s a beautiful location, a great place to visit with great food and friendly establishments, and of course a plethora of opportunities to create stunning art. This intimate retreat always sells out early in the year, so sign up sooner than later and check out this location’s episode of Where’s Art?.
No traveler’s list of locations is complete until they’ve been to Glacier Bay. The definitive picturesque location needs to be experienced to really understand the vast beauty of this Alaskan centerpiece. Take a look at my last trip here on Where’s Art?
These workshops are sold out already, as they always do – photographers world-wide can’t get enough of the bears in this scenic landscape. Get yourself on the wait list for the first or second trip today, just in case there are any cancellations – and check out Where’s Art? while you wait!
New locations await those who have joined me on previous workshops in the wilderness of the Olympic Peninsula. We’ll also explore using 6-stop neutral density filters in the field to capture the old growth forest, wildlife, and waterfalls.
My last trip to Namibia was this passed September, and though the location is gaining in popularity, traveling here with someone whom has made frequent visits and knows the ins and outs of capturing the most graphic images of this striking landscape and it’s wildlife is the reason it’s already sold out! Get on the list just in case someone cancels, and check out the episode of Where’s Art? from this location!
We try to offer something unique when it comes to our trip to the big island, starting with a volcano expert and photographer friend who knows the place like the back of his hand. We’ll shoot at dawn and dusk and all hours in between to capture the shots that are anything but generic travel photos!
iDesigned for photographers by photographers, this expedition to the Falklands and South Georgia Island will be led by myself, Frans Lanting and Tom Mangelsen. We will take you to the places we love and will allow us to make the most of the southern ocean’s greatest wildlife spectacle, based on our collective experience.
Happy holidays everyone, and I look forward to seeing you in the New Year!
Capturing brown bears in Katmai, Alaska! Though specific to this location in the video, this is a lesson and focus I employ regardless of my subject – to capture that subject within the context of the environment rather than going for the same ol’ shots. Certainly as you travel and visit recognizable locations and subjects, you should capture the shots we are accustomed to seeing – but moving a step beyond and ensuring your photos are telling the story of that subject’s place in it’s environment makes for a much more informative and lasting image. Taking the time to explore a bit and focus on wide shots where the bears are present but not necessarily the focus, or finding details of the bear’s impact on the environment without showing them directly will not only immerse your audience in the location, it will inform and inspire other shots you choose to take.
Gavriel Jecan has traveled to this location with me many times, and he’ll be leading a trip here in July – sign up today! I’m leading a couple trips here as well, but they are sold out. If you’re interested, feel free to join the wait list in case we have any cancellations.
Art Wolfe: In the hours prior to this shot (of Bridalveil Fall), the valley had been covered in flat light under solid cloud cover. Late in the afternoon, however, the clouds began to break, sending shafts of light onto the faces of El Capitan and Half Dome, and, in this case, the waterfalls that rush over the cliffs in early spring.
