Madagascar is a place of extraordinary contrasts, where richly layered cultures, everyday life, and some of the world’s most distinctive wildlife exist side by side. These photographs offer a glimpse into the rhythms of the island—from its people, communities, and landscapes to the remarkable animals found nowhere else on Earth. At the heart of the collection are Madagascar’s many species of lemurs, each uniquely adapted to the island’s forests and ecosystems, alongside other wildlife that reflects its exceptional biodiversity. Together, the images form a portrait of a country defined by natural wonder, cultural depth, and an enduring connection between people and place.
“A common mistake many photographers make is finding a subject they really like, but then failing to spend time refining the image. Often, there is a shot within a shot within a shot–but rarely does the observer see the photographer’s intent. What I have learned over the years is that if the subject is worthy of shooting, make it clear and unequivocal: this is the subject!
Here is a prime example. In this series of three photos, the first (above) was taken with a wide-angle and includes open sky, middle horizon, and the landscape of Yellowstone National Park, but it lacks a clear sense of what the subject is.
In the second shot I let go of the bright cumulus clouds, and started to zoom in. There is still a bit of clutter, including several cars, but I am on my way. This image may be fine as an editorial illustration in a guidebook, but it doesn’t convey what I was trying to get out of the landscape.
The last shot, however, creates a strong abstraction, combining the brilliant colors of the Grand Prismatic Spring with the weathered pines that died in the great fires of 1988.”
This is a classic landscape dilemma most photographers face, and a perfect example of making order out of chaos. If you don’t have the luxury of moving to a new vantage point from which to photograph, then you have to think of an alternate way to make the image say what you want.
In the second image, Art decided to shift to a vantage point that gave him a clearer view of the pool, the color of which dominates the otherwise monochromatic surroundings. In the final image, he has removed all distractions and emphasized the colorful spring, while still keeping a hint of the charred landscape, distilled to its most important elements. The result is a strong graphic combination of the pool in all its vibrancy, in the context of a landscape in eternal flux.
The past few months have taken me across an extraordinary range of landscapes, cultures, and wildlife—from the windswept expanses of Patagonia to the autumn color of New Zealand’s South Island, from the familiar forests and shorelines of the Pacific Northwest to the remarkable biodiversity of Madagascar. Each destination offered its own rhythm: the quiet presence of guanacos beneath the peaks of Torres del Paine, the luminous ice of Perito Moreno Glacier, the soft fall light around Mount Aspiring, and the intricate natural details found close to home on the Olympic Peninsula.
This collection reflects the variety that continues to inspire me after so many years in the field: rare wildlife encounters, sweeping landscapes, cultural moments, and the small abstract patterns that often reveal the character of a place. In Madagascar, lemurs, chameleons, baobabs, and daily life around Morondava offered a vivid reminder of how deeply connected people and place can be. Together, these images are a look back at a rich quarter of travel, observation, and discovery.
Enjoy the photos, and check out the full slate of remaining 2026 and 2027 workshops!
A powerful image begins in the field with light, composition, patience, and the willingness to keep seeing the world in new ways. Whether I am photographing wildlife, landscapes, cultures, or abstract patterns in nature, I approach each subject with the eye of an artist and the curiosity of an explorer.
But the final expression of that work happens in print.
A fine art print transforms a photograph from something seen briefly on a screen into something lasting, tangible, and deeply personal. It brings forward the full intent of the image: the light, the atmosphere, the detail, the emotion, and the experience of being there.
That is why my partnership with Epson has been so meaningful. Epson’s fine art printers, papers, and inks allow my photographs to be presented with exceptional depth, clarity, contrast, and richness. The blacks are deeper, the details are crisper, and the tones have a presence that helps the image come fully to life.
To me, a print is not simply a reproduction. It is the final step in the creative process.
A beautifully made print invites people to slow down, look closer, and bring the beauty of the natural world into their own homes. It allows the image to live beyond the moment it was captured.
To celebrate America’s birthday and my partnership with Epson USA, I invite you to enjoy 25% off fine art prints through July 10 using code USA250 at checkout!
