Another great time going live on Tequila Time with Art is in the books, and this time we took a tour of my Huangshan-inspired Japanese garden. It was by far the most requested feature from these live chats, so I’m thankful both the typically soggy Seattle weather and technology conspired to work together for once! Check out the video above if you missed it, or simply want to re-watch it. For more information on my garden, I’ve also included my story of how the garden came to be below. Enjoy, and have a fantastic weekend!
Nature possesses many powers. It can awe and inspire, provoke fear, and humble. As a nature photographer who frequently travels to some of the most wild and remote regions of
the world, I have truly experienced each of these emotions and more.
In all my journeys, though, one place in particular captured my soul and spirit in ways that continue to inspire me today. The incomparable grandeur of the granite spires, spectacular rocky peaks, contorted pines and swirling mists I encountered at Huangshan, a UNESCO World Heritage Site in China’s Anhui Province, planted in me a desire to blend my global travels into the shape and feel of my own home environment.
Upon returning to my native Seattle nearly 35 years ago from that fateful voyage to China, I immediately purchased a property brimming with artistic potential, offering sweeping views of Puget Sound and the Olympic Mountains. Full of enthusiasm, I began to transform my flat half-acre of predictable plantings and 1910 Tudor-style home into a miniature Huangshan.
Soon my simple lawn with its rhododendron border was transformed into a bustling work site. I rented a backhoe to sculpt a koi pond and cascading stream beds. A mobile crane brought in over 100 tons of moss-covered granite boulders, black pines, Western red cedars, hemlocks, Douglas firs, and Japanese maples, some with root-balls weighing as much as 8,000 pounds. My yard quickly became a place to enjoy visually as well as spiritually, and I was not alone. Wildlife promptly discovered the habitat I had created and new photographic opportunities arose.
I post no signs and have no fences, so it is quite common to discover total strangers walking along my pathways, lured by the soothing sounds of cascading waterfalls. The inviting landscape evokes the spirit of Huangshan that enchanted me so many years ago, and so long as visitors remain respectful, they’re not turned away. My decision to avoid contributing to suburban sprawl by remaining in an urban setting has been remarkably satisfying. I have enjoyed creating and maintaining critical habitat for the numerous wild denizens who share my tranquil setting.
There is something incredibly peaceful and grounding about working here, pruning the pines, weeding, planting and observing life thriving all around me. Simply put, my yard has become my therapist, my refuge, and a beautiful, relaxing place where I can explore my lifelong passions for nature and photography.
For the second week in a row I was able to connect with friends and followers live on Facebook and Instagram, and once again I came away with a tremendous sense of elation at being able to connect with everyone. Thank you to everyone who made with with a drink in hand, tequila or otherwise!
We had a few requests to re-post Komodo dragons from my January trip to Indonesia and Komodo Island. A special thank-you to Bill for helping me create a contraption to get my camera down low to shoot them without being eaten! Ask and you shall receive. . .
If you missed last night’s episode of Tequila Time with Art, watch it here as well – and give me a follow on Facebook and Instagram, where you can catch past and eventually future episodes!
Looking forward to another live Tequila Time this evening and I’d love to see you there if you can make it! We’ll be on Facebook Live and Instagram. If you’re planning on playing along at home, here’s a recipe I loosely follow:
1 1/2 oz of your favorite Blanco Tequila
1/2 oz Cointreau
1/2 oz Agave Nectar
1/2 oz fresh lime juice
1/2 oz fresh lemon juice
Crushed Ice
Finish with a splash of tangerine or orange juice – perfect as the days get sunnier and warmer! For those of you who don’t imbibe or aren’t of age, here’s a mocktail recipe you can use – no alcohol, but lots of love an fresh ingredients!
2 oz honey or agave
1 oz limeade concentrate
1 oz fresh lime juice
1/2 oz fresh grapefruit juice
2 drops almond extract
1/4 tsp orange extract or bitters
1 tsp salt
1/2 tsp chili powder
Crushed Ice
In either case, it’s not a tequila cocktail or a mocktail without limes to garnish!
I had a great time going LIVE last night with my good friend Parimal Deshpande for the inaugural episode of Tequila Time with Art! This one was a little on the formal side while I adjust to the format, but I hope everyone who tuned in and participated felt like it was time well spent. I’m looking forward to doing these weekly and I hope you’ll continue to tune in and tell your friends!
Obviously we won’t be able to answer everyone’s questions during the broadcast, but rest assured we have culled inquiries and If I can find some time, I’ll answer some here on the blog in the weeks and months to come.
If you missed out on the live broadcast, they will be available every week on my youtube channel, facebook, and instagram – get connected!
Happy technique Tuesday! Hopefully everyone is healthy and using their time to practice their photography at home. While I’m currently working on my Pathways to Creativity series of lectures, I figured it couldn’t hurt to give some tips for those of you looking to pass the time.
Photographers of all levels know just how useful a tripod can be. Myself and others have touted the necessity of choosing a good brand and not skimping on a cheap one. That being said, sometimes you need to ditch that thing. While the stability a tripod offers is essential for many shots, it’s not always the most maneuverable tool to use.
In this video, I illustrate that by losing the tripod and getting down low, I can capture these chinstrap penguins in such a way that enough background is included and in focus to give true context to their environment. This is an angle and perspective I wouldn’t have been able to achieve without the spontaneity and maneuverability gained by freeing myself from the tripod.
Use your body, the ground, and objects around you to stabilize your shot – don’t forget, any three points of contact, not just tripod legs, will make for a steady shot. Now, unless you’re super lucky, you don’t have penguins in your back yard – that’s okay! Get down low and photograph your familiar surroundings from a whole new perspective.
Hello again from Seattle! Some of you may be wondering what I’m up to while we do our best to protect ourselves and one and other from the current pandemic. I’m better in front of a camera than I am a keyboard – so I’ll let it do the talking!
Watched it? Great! Feel free to leave comments below as to what you’re doing to keep your photography skills honed and your mind active; I’m sure we could all use various perspectives on how to use our time productively. I’ll be posting ideas to the blog on a regular basis as well, so stay tuned and most importantly, stay safe!
Happy Friday! I begin October on the road for a month of travel, and when I return home I’m gong to be VERY busy putting signatures to my new books that have been pre-ordered though my website. We’ve obtained our advance copies of both Wild Elephants and the trade edition of Human Canvas– and both are of the highest quality and look fantastic! If you have held the equally fantastic and award winningTreesbook that was published last year, you know what to expect.
Wild Elephantsnot only features the greatest elephant photos of my career, but also includes text by Dr. Samuel Wasser that describes the issues and most importantly the solutions being employed to protect elephant species in Africa and Asia.
Human Canvasfocuses on combining photography with body painting inspired by the many cultures I’ve encountered around the globe, bringing you a mixture of patterns and textures influenced by the indigenous peoples I’ve encountered on my travels.
Order your copies of Wild Elephants and Human Canvas today to guarantee you receive a signed copy when they are available in the coming weeks!
Join Gavriel Jecan in Katmai, Alaska for a photography workshop in a one-of-a-kind location! Along with trusted Pilot and guide Jerry Jacques, be one of a small group of 8 participants photographing the wilderness and wildlife alongside a pair of professionals and experts on shooting in this unique National Park.
Gavriel started photographing at the age of 12 when his father gave him his first SLR camera. His appreciation of photography grew while photographing black-and-white on family hiking trips in the mountains. His love of nature, rock climbing and traveling inspired him to become a professional photographer.
In 1994 Gavriel joined Art Wolfe, Inc. and he traveled extensively with Art the world over. He was a member of the Art Wolfe’s Travels to the Edge TV field crew and teaches photography around the world on his own photo tours and Art Wolfe, Inc. The quality and scope of Jecan’s shooting has gained him representation by the world’s largest stock photography agencies (Getty, Corbis, Danita Delimont, OnAsia, and Okapia).
Gav’s images appear regularly in calendars and magazines worldwide, including International Wildlife, Backpacker, Audubon, National Geographic, Midwest Express, Nature Foto, German Geo, Asian Geo, Outside, Sinra, Terre Sauvage etc. He has published five children’s books: C for Coyote, Wild Colors, Alaska Animal Babies, Hide and Seek, and South West Colors.
For the last decade Gavriel has specialized in Southeast Asian locations. He lives in Thailand with his family.
Sign up now for Gavriel’s Katmai Alaska Workshop before it’s sold out – and check out the Katmai episode of Where’s Art? if you’re unfamiliar with this location!
This past week I got the chance to have a conversation with Mitch Stringer and discuss my recovery from surgery, upcoming workshops, and the goals I have for both myself and workshop participants who travel with me. This edition is mostly an audio podcast as I haven’t been on many trips as of late, but there is some important information about upcoming workshops throughout our conversation. I can’t wait to get back out on the road, and I’m so appreciative of how quickly these workshops are selling out! I hope you enjoy this extended conversation with Mitch, and stay tuned for more episodes of “Where’s Art?” from upcoming workshops!
Capturing brown bears in Katmai, Alaska! Though specific to this location in the video, this is a lesson and focus I employ regardless of my subject – to capture that subject within the context of the environment rather than going for the same ol’ shots. Certainly as you travel and visit recognizable locations and subjects, you should capture the shots we are accustomed to seeing – but moving a step beyond and ensuring your photos are telling the story of that subject’s place in it’s environment makes for a much more informative and lasting image. Taking the time to explore a bit and focus on wide shots where the bears are present but not necessarily the focus, or finding details of the bear’s impact on the environment without showing them directly will not only immerse your audience in the location, it will inform and inspire other shots you choose to take.
Gavriel Jecan has traveled to this location with me many times, and he’ll be leading a trip here in July – sign up today! I’m leading a couple trips here as well, but they are sold out. If you’re interested, feel free to join the wait list in case we have any cancellations.
In all my journeys, though, one place in particular captured my soul and spirit in ways that continue to inspire me today. The incomparable grandeur of the granite spires, spectacular rocky peaks, contorted pines and swirling mists I encountered at Huangshan, a UNESCO World Heritage Site in China’s Anhui Province, planted in me a desire to blend my global travels into the shape and feel of my own home environment.
Soon my simple lawn with its rhododendron border was transformed into a bustling work site. I rented a backhoe to sculpt a koi pond and cascading stream beds. A mobile crane brought in over 100 tons of moss-covered granite boulders, black pines, Western red cedars, hemlocks, Douglas firs, and Japanese maples, some with root-balls weighing as much as 8,000 pounds. My yard quickly became a place to enjoy visually as well as spiritually, and I was not alone. Wildlife promptly discovered the habitat I had created and new photographic opportunities arose.
There is something incredibly peaceful and grounding about working here, pruning the pines, weeding, planting and observing life thriving all around me. Simply put, my yard has become my therapist, my refuge, and a beautiful, relaxing place where I can explore my lifelong passions for nature and photography.
