In the field there are times when a standard lens is inadequate to capture a subject as you would like to portray it. Often I will use a 15mm fisheye to create more interesting angles and more dynamic compositions. This lens can improve the statement of a subject by changing the relationship of elements in the picture. Getting up close with this lens lends a strong sense of depth to a composition. Some say it distorts reality, but really you are changing the way you are perceiving perspective. The lens defines this way of looking for us and creates a fascinating relationship of foreground and background. Standard focal lengths can be boring! Take that step out of the ordinary.
Here are a few tips when shooting with a fisheye lens:
• Know your subject, and keep the composition simple – the distortion is already going to make your image more complicated. Make sure your subject stands out!
• Try different heights and angles – where you shoot from can intensify or lessen the fisheye effect.
• Fisheye lenses allow a lot of light to enter making them useful for night photography – therefore they can be great for shooting stars.
• Look for normally straight lines that will bend with the lens and lead the eye through your photograph
• Often I tell people not to put the subject in the center of the frame, but intentionally centering up a subject and using symmetry with a fisheye lens can often create a compelling image.
• When shooting in close quarters, a fisheye lens can be used to capture the elements that a normal lens would crop away. You can then either keep the distorted view, or use software like Adobe Lightroom to correct the effect and remove most if not all the distortion.
• Get close to your subject – a fisheye lens will bring so much of the surrounding detail into the frame, you can get much closer to your subject than you normally would.
Today is Arbor day, a wonderful occasion to celebrate the significance of trees world-wide. The importance of trees both in terms of their impact on habitats and cultures can’t be stated enough but often goes overlooked. Check out arborday.org for more info on what you can do to participate this weekend!
This is also a good time to mention my newest upcoming book which has been available for pre-order for a few weeks. It’s called “Trees: Between Heaven and Earth“, and it will be available this fall. It’s full of beautiful photos of trees from around the world and details their beauty and contributions to habitats, cultures and much much more.
There are sample pages to check out on my online store, and don’t forget that all pre-orders through the site will be signed by yours truly before being sent your way!
Have a wonderful weekend, get out there and plant something!
This past week I set out on an adventure with good friends to the Sea of Cortez and we were not disappointed. Aboard a boat with an excellent crew, we were treated to a variety of creatures quite literally great and small – pilot whales, dolphins, a variety of rays, and much more. A blue whale made an appearance, it’s massive size not quite apparent until we had a drone in the air.
Among the other revelations gleaned from having the ‘eye in the sky’ came when a leaping ray caught our eye. We sent the drone over to capture it from above, only to find it was just one particularly active member of a large fever of rays – a pleasant and unexpected surprise!
Enjoy the slide show, and stay tuned for more photos from several upcoming trips. My schedule is filling up, but it’s nice to be back out there!
Save 20% on the Print of the Month – Hot Springs Zen. Captured on my trip to Honshu Island, Japan in February of 2013 I feel this shot perfectly represents much of what has been discovered about the Japanese Macaques, or snow monkeys, and their relationship with the hot springs in this location. According to this recent New York Times article, the monkeys use the hot baths to warm up and reduce their stress levels, much like I do when I hop in the hot tub after a long stretch of travel!
Years back, student Angels Gazquez Espuny of Spain interviewed Art for a school project. The title was “The Artist’s Psychology”, and considering that Art has made his Photography As Art seminar a continued exploration into the subject matter in the years since, it seemed like a timely re-post! Enjoy!
From your experience, what is art and what is an artist?
A true artist is an individual who creates from their soul be they a musician, writer, dancer, sculptor, painter or photographer etc…They have a need to express themselves in a creative way, revealing a part of themselves in the process. To restrict their creative outlet, whatever it may be, whether they sell their work or not, is to imprison their soul.
Art is a journey, for both the artist and the viewer. An artist will grow and mature over time. Myself, I began with a more realist approach to my painting and photography and have trended towards a greater appreciation for the abstract as I have followed my own journey. The same is true for the viewer. At one point in your life you may not ‘get it’ when you look at another’s artwork; perhaps it is too abstract or unusual; but later in life you may return to these same pieces and see them from an entirely new perspective, appreciating them in a way you couldn’t have before. Everyone sees and interprets art from their own experiences. It is because of this that you can’t simply define “art” or an “artist”, each is an ever changing and growing interpretation for the individual.
For me personally, the highest form of art is something that enriches the viewer and speaks to them evoking an emotional response from within. I fill my home with art, both my own and pieces I have collected during my travels all over the world. Some are highly prized pieces such as centuries old Native American baskets but they run all they way down to simple indigenous crafts I have picked up for a few dollars. I have even transformed my yard over the years into a work of art inspired by the Chinese paintings of the Haung Shan landscapes.
I am an artist, I have been since a child. It was when I was a young boy in middle school the teachers, upon seeing my paintings, were so moved, that they actually paid me for my work. It was right then that I knew I would make a living selling my art, my creations, and I have followed that path ever since. My roots are set deeply in painting. I went to the University of Washington receiving my degree in Fine Arts and I saw this as my path. It was only in my 20s that I would transition to a photography and make my name as a wildlife photographer and in my journey, now at 60 years old, I find myself returning to my roots as a painter more and more.
Why and what motivates you to create, what do you normally create?
As I said before, I am an artist and I have that same drive inside me that all true artists feel which continues to motivate me even after nearly 40 years. When I return from a trip my mind is instantly seeking out the next opportunity – whether it is with my camera in the field, a studio session, or time with paint and a brush, as an artist I will never rest.
I have always been a strong conservationist, even as a child. I grew up spending more time outside than inside exploring the woods near my home in West Seattle, Washington getting to know every bird, reptile, mammal, and plant I could find. At a young age I could see the need to protect and preserve our fragile natural resources. I strive to capture the natural beauty in works of art with the hope that it will inspire the viewer, evoke that emotional response, to see the need to preserve and protect our diminishing resources.
In my career as a photographer, I first began photographing animals and landscapes and that is perhaps what I am most well known for. Over the years, traveling the world, I was fortunate enough to encounter the elusive animals that inhabit the remote corners of our planet, and at the same time I got to know and appreciate the indigenous people that inhabit these lands as well. Their culture in many cases remains intact as it has been for countless generations. Getting to know these cultures, fostered an appreciation for the beauty of their approach to life and balance with the planet. With a career spanning over 30 years, I have images in my archive that can not be replicated today as cultures give way to outside influences.
Traveling the world I have also been exposed to a wide variety of religions and practices giving me an appreciation for the beauty you can find in each. Over time I have found myself bringing home more and more creations around culture and religion from these travels.
Lastly, as I get older I find myself drawn more and more to the abstract. The photographs you find me taking today are less often about the grand scenic landscape and more often about intimate details, abstracting the elements in the natural world to tell a different kind of story, but one rooted in the same motivation for protecting and preserving the natural wonders of our planet.
Do you think an artist is born or grows with age?
I believe both statements are true. One is born with certain passions in their soul. No matter your level of physical fitness, if you don’t have a passion to climb mountains, you won’t be a mountain climber, that is a drive I believe you have deep inside of you and an artist’s drive is no different. You are born with this drive to create though not necessarily the talent to pull it off, for talent comes with time. This is how an artist grows with age. Some may be self-taught, others classically trained, and it’s the rare exception that may be inherently talented, but even with those, I would argue that you can see their work grow and transform over time as they follow their journey.
Whether your art form is photography, painting, music, whatever…talk with any artist and they will tell you of a journey where they grew as an artist, honing their craft, focusing their talents, changing with time and improving with each creation.
And I continue to evolve, I have taken photos in the last 3 years that I never would have seen just 5 years ago – at 60 years old I continue to get better, look objectively at my art, improve on it and move forward, never stagnating. I will be growing as an artist so long as I am still able to create.
Do you have any reference artists & what inspires you?
I am inspired by the works of many classical and contemporary artists. You will see direct evidence of influences from Jackson Pollack in my work in a composition showcasing the random line and chaos which can be found in nature. I have also long admired the work of dutch artist M.C. Escher. I have photographs that I explicitly composed with his repeating geographic patterns in mind such as the repeating black and white of a tightly composed image of penguins in the artic. As I am photographing in the field, a scene will unfold before me reminding me of a particular artist’s style and I will compose my image drawing upon this style.
As a lifetime student of art, the list of artists inspiring me is a long one. You’ll find all the usual suspects such as Salvador Dali, Renoir, Van Gogh as well as more contemporary artists such as Keith Haring, Jacob Lawrence, Mark Toby… To visit my library at home would provide you an understanding as it is filled with art books spanning the centuries, it would be far too difficult to try and list everyone I draw from here.
Additionally I am also influence and inspired by the original artists, those who left their art on rock and cave walls 10-30 thousand years ago in Australia, southwestern US and the caves of Spain and France. They were true artists abstracting their subjects, suggesting movement and exaggerating their features. They were not simply recoding exactly what they saw, they were creating art.
Lastly, I am inspired by the beauty of nature. The intricate designs you find everywhere you look, from a curled fiddle wad of a young fern to the beautiful colors in the wings of a McCaw. This is why I keep doing what I do, I love nature and all her beauty and I want to share this with everyone in the hopes that they too will fall in love and understand why we need to protect this precious gift.
Do you consider yourself an artist?
Absolutely. Art is my passion and I have been following that passion my entire life.
Last week I shared a terrific few days with fellow photographers in Atlanta, Georgia. We were able to get to a couple very gritty and unsettling locations, but the results were well worth any discomfort – psychological or physical. We even had local law enforcement provide a security escort through one location, though I was more weary of the spirits and specters hiding in the corner of these extra-creepy locations than anything a security guard may have been able to handle!
Thrills and chills aside, our group was able to explore some immensely unique locations and come away with unique shots that I guarantee won’t be confused for your run-of-the-mill travel photographs. I had a fantastic time on this trip, and the talented insightful participants as well as our local support made for a welcome return to workshops after my brief but necessary hiatus.
I am looking forward to scheduling more Abstract field workshops, and your input is always welcome. Abstract NOLA comes to mind! If you have any suggestions on somewhere you’ve visited or even a location in your own home town that would provide opportunities for a great abstract workshop, let me know in the comments! I’m constantly looking for new places to explore, and word of mouth is the best way to find them!
Now that I’m getting back to traveling, I’m reminded of all the details that come along with doing so – and some tips that can make the whole process a lot less stressful! Since it’s top of mind, I figured I would share on this #TravelTuesday!
•If you travel more than six times a year, it is worthwhile to get Global Entry, Nexus (US & Canada only) or TSA Precheck (domestic only)
•Have a detailed packing list and start packing well in advance of your trip so you have time to obtain any necessary items, such as prescriptions, before you go. Don’t forget your adapters, cables, and extra batteries for all your devices! A portable power pack is a good way to ensure you won’t run out of juice if you’re unable to charge your devices.
•Check the CDC for any necessary immunizations you might need before your travels.
•Acclimatization is critical. Set your watch to the local time of your destination. Try to sleep on the plane or stay awake depending upon the time. Use earplugs, noise cancelling headphones, and eyepatches.
•Flying with expensive camera gear. Take your camera bag with the majority of your gear in the plane cabin with you. Check big, heavy lenses.
•Enroll in STEP — Smart Traveler Enrollment Program — with the State Department before your overseas trip. If you lose your passport, this will make it much easier to get a new one. Always carry a photocopy of your passport.
•Always get trip insurance. Yes, insurance is a gamble. It will add expense to your trip, but it may save you a bundle as well!
Join Gavriel Jecan in Katmai, Alaska for a photography workshop in a one-of-a-kind location! Along with trusted Pilot and guide Jerry Jacques, be one of a small group of 8 participants photographing the wilderness and wildlife alongside a pair of professionals and experts on shooting in this unique National Park.
Gavriel started photographing at the age of 12 when his father gave him his first SLR camera. His appreciation of photography grew while photographing black-and-white on family hiking trips in the mountains. His love of nature, rock climbing and traveling inspired him to become a professional photographer.
In 1994 Gavriel joined Art Wolfe, Inc. and he traveled extensively with Art the world over. He was a member of the Art Wolfe’s Travels to the Edge TV field crew and teaches photography around the world on his own photo tours and Art Wolfe, Inc. The quality and scope of Jecan’s shooting has gained him representation by the world’s largest stock photography agencies (Getty, Corbis, Danita Delimont, OnAsia, and Okapia).
Gav’s images appear regularly in calendars and magazines worldwide, including International Wildlife, Backpacker, Audubon, National Geographic, Midwest Express, Nature Foto, German Geo, Asian Geo, Outside, Sinra, Terre Sauvage etc. He has published five children’s books: C for Coyote, Wild Colors, Alaska Animal Babies, Hide and Seek, and South West Colors.
For the last decade Gavriel has specialized in Southeast Asian locations. He lives in Thailand with his family.
Sign up now for Gavriel’s Katmai Alaska Workshop before it’s sold out – and check out the Katmai episode of Where’s Art? if you’re unfamiliar with this location!
This past week I got the chance to have a conversation with Mitch Stringer and discuss my recovery from surgery, upcoming workshops, and the goals I have for both myself and workshop participants who travel with me. This edition is mostly an audio podcast as I haven’t been on many trips as of late, but there is some important information about upcoming workshops throughout our conversation. I can’t wait to get back out on the road, and I’m so appreciative of how quickly these workshops are selling out! I hope you enjoy this extended conversation with Mitch, and stay tuned for more episodes of “Where’s Art?” from upcoming workshops!
This May, I’ll be leading a brand new retreat originating in Pacific Grove, California with an exclusive opportunity to join for just five participants. We will capture the beauty synonymous with this location as well as integrating many of the themes of my Abstract Astoria and Atlanta Workshops, as well as my Photography As Art seminars.
Without further ado, here are the Top 10 Reasons to Attend the Pacific Grove Retreat in May!
1. Visit a gorgeous location on California’s fabled Monterey Bay!
2. Limited to just five attendees, there will be plenty of face time for each participant.
3. Take your photography to the next level in this masterclass with two world-class instructors.
4. Free entry to the Monterey Bay Aquarium, where I will be giving a brown-bag lunch talk.
5. Go kayaking and photograph otters with the world’s premier nature photographer; if you’ve never kayaked before, rest assured we will have trained guides so you can focus on your photos!
6. Great food! We will be celebrating Cinco de Mayo in a region renowned for its great cuisine. We will dine together, and I *may* have a margarita or two!
7. Explore the region that inspired the likes of Ansel Adams and Edward Weston.
8. Get your photography portfolio reviewed! Gavriel Jecan and myself will look at everyone’s work and provide constructive feedback that you’ll be able to carry with you onto future trips.
9. Receive a copy of my limited edition book HUMAN CANVAS.
10. Experiential learning at its best. It’s my hope that the lessons you learn on this retreat will be referenced on your travel and photography adventures moving forward.
Spaces on this retreat are extremely limited, and some are already spoken for – sign up today to ensure your spot!
