I’ve only just begun a couple months of heavy travel, but in between I’ll be back in Seattle just long enough to catch my breath. This happens to coincide with the annual Kenmore Camera Digital Photo Expo, which is always a fantastic event full of passionate presenters and the latest and greatest equipment from the digital photography world available for hands-on evaluation!
Please note – I’ll only be available at the expo myself on Saturday, November 2nd from 10:30 AM – 12:30 PM and I’ll have my new books Wild Elephants and Human Canvas on hand to sell and sign, along with a selection of my other popular books.
You should definitely check out both days of the expo if you can. There will be a number of speakers on hand from a variety of backgrounds and companies. There is sure to be something for everyone, and so much information to be absorbed.
If you’re in the market for new equipment, or simply a photography enthusiast looking to gather all the knowledge you possibly can from experts in the field and those with the technical know-how to answer your equipment related questions – take advantage of this opportunity!
Happy Friday! I begin October on the road for a month of travel, and when I return home I’m gong to be VERY busy putting signatures to my new books that have been pre-ordered though my website. We’ve obtained our advance copies of both Wild Elephants and the trade edition of Human Canvas– and both are of the highest quality and look fantastic! If you have held the equally fantastic and award winningTreesbook that was published last year, you know what to expect.
Wild Elephantsnot only features the greatest elephant photos of my career, but also includes text by Dr. Samuel Wasser that describes the issues and most importantly the solutions being employed to protect elephant species in Africa and Asia.
Human Canvasfocuses on combining photography with body painting inspired by the many cultures I’ve encountered around the globe, bringing you a mixture of patterns and textures influenced by the indigenous peoples I’ve encountered on my travels.
Order your copies of Wild Elephants and Human Canvas today to guarantee you receive a signed copy when they are available in the coming weeks!
Photography As Artis just around the corner in the Pacific Northwest! On Saturday, November 9th I’ll be in Portland, Oregon – and the following day I’ll be back home to give the presentation in Seattle! Sign up today to ensure your spot!
This seminar is designed to completely change the way you view photography, and my intent is to inspire you to bring unique artistic visions to life using your camera as both brush and canvas. With an emphasis on the abstract, imaginary landscapes, and capturing metaphors the lessons learned here can be applied anywhere and with whatever equipment you have available – no globe-trotting or a plethora of fancy gear required.
2020 is shaping up to be an incredibly busy but fruitful year, and this will be one of the last chances to join me for a day-long seminar before kicking of another year of constant travel. If you’re interested in joining me on a trip, click the banners below to find out more information. Many of these trips are already sold out, but don’t hesitate to join the wait list! Not only will you be notified if a spot opens up, it also gives me a good idea of which locations you’re most interested in visiting – great information to have when I’m looking to add new trips to the calendar!
Also, if you missed out on my Japan tour last year my associate Gavriel Jecan will be leading another tour in February of 2020 – see his page for more details!
I recently returned from my second trip to Eastern Greenland in the last two years and once again it lived up to expectations. From ship to Zodiac, there was a lot to capture in between the wide seascapes and ancient detail in the upheaval of rock formations.
The bedrock of Greenland is some of the oldest on the planet, up to 3.8 billion years old and it shows in the tortuous folds and striations around the ice-free edges of the island. One of the most fascinating spots is called the Skaergaard intrusion, a relatively young formation of igneous rock extruded from the Earth 55 million years ago. Its layers, texture, and line make for a photographer’s dream.
The aesthetics and geological history is all well and good – but the REAL question is, can you find the bacon?!
If you’re not already, now is a great time to make sure you’re following me on all my social media platforms. I try to offer a variety of content on each one, so collect the whole set of @’s! We have some upcoming contests and give-aways coming up, so get recognized and score some loot!
Follow me on Instagram for my latest photos along with camera information for my captures – and get inspired to post your latest and greatest – you never know If I might follow back!
. . . And last but not least, the blog here on ArtWolfe.com. Throughout all my social channels, I try to include tips, techniques, and much more. The social icons on the blog posts are for sharing – use ’em! If you’re not signed up for the newsletter, it’s a great way to get updates on upcoming workshop and speaking opportunities.
Have a great weekend and stay tuned for some great new pics from my recent trip to Greenland!
Wildlife photography can be a frustrating pursuit at times, but you roll with it! In August I had the opportunity to photograph sea wolves in the temperate rainforest of Canada. It rained and rained and rained and the wolves made themselves scarce. Apparently they had moved their den site to another area, but I am pleased with the fleeting images I was able to create.
The surrounding landscape is so varied, from lapping water to rocky shoreline to impenetrable forest that it creates an extraordinarily lush backdrop to these elusive wolves. It was important to me to include the context of the environment, as you don’t find wolves in these kinds of surroundings often. Portraits and ‘hero’ shots of animals can be important to illustrate their personality and demeanor, but may not always inform you of what that creature’s environment and life might be like to the extent of capturing them in the vastness of their natural element.
Think about context and story when you photograph wildlife – and you’ll often come away with a winner!
Every now and again I like to take a break from promoting my own books (Elephants! Human Canvas! – I’m shameless. Oh well – I tried!) to share my recommendations of the works of others with you. Sometimes they are simply educational, while others are inspirational. . . and in this case, both. World culture and tradition has always been as fascinating to me as wildlife. As I have accrued decades of world travel and come to identify the similarities and differences in our cultures, Ive only come to appreciate them that much more.
In Divine Encounters: Sacred Rituals and Ceremonies of Asia by Hans Kemp, we have an excellent photo book that explores the many varied esoteric beliefs of the region both prevalent and obscure.
“The breadth and scope of Hans Kemp’s superb photography captures the expansive yet intimate nature of Asia’s ancient and thriving spiritual traditions.”
-Art Wolfe
I found this book to be inspirational and highly motivating. It’s spawned so many ideas for possible future trips and projects. If you’re planning any trips to Asia in the near future and are looking to fill up your schedule, if you have an interest in world cultures and rituals, or if you simply want to check out some excellent photography, give it a look! Grab your copy on Hans’ website!
On an early September day 55 years ago, President Lyndon B. Johnson signed into law the Wilderness Act. This historic bill established the National Wilderness Preservation System (NWPS) and set aside an initial 9.1 million acres of wildlands for the use and benefit of the American people. Over the past 50 years, and as a result of America’s support for wilderness, Congress has added over 111 million acres to this unique land preservation system.
The 1964 Wilderness Act defines “Wilderness” as areas where the earth and its communities of life are left unchanged by people, where the primary forces of nature are in control, and where people themselves are visitors who do not remain. In other words – all of my favorite places to photograph wildlife in its natural environment in an effort to share it with you!
Protections for Earth’s wilderness are changing quickly, now moreso than ever with issues such as the pebble mine or the fires in South America taking center stage. For more information and to find ways to help preserve our natural places, visit www.wilderness.org – and of course stay tuned to the blog!
Just two spaces remain in my Lake Quinault Photography Retreat coming up very soon! Fall in Washington state is gorgeous, and what better way to celebrate the season than to be part of an intimate group of photographers exploring the lush Olympic forest? This is a location that I can never seem to get enough of as far as photographic opportunities go. I always leave feeling like there is so much more to explore, and this exclusive small group setting is my opportunity to share what I see with you in hopes I can pass on four decades of knowledge to you.
1) Check the Olympic National Park off your bucket list. Do you have a National Parks passport? Maybe it’s time to get one and start visiting the sites of “America’s Best Idea”!
2) Check a workshop with Art Wolfe off your bucket list. A UNESCO world heritage site combined with a world renowned photographer, who also happens to be a great teacher and inspiration? Check!
3) The trees. The temperate rainforest has a living standing biomass which may be the highest anywhere in the world. And it is stunningly gorgeous.
4.) The Luxurious and historic Lake Quinault Lodge is a fantastic home base. We welcome your partners to join us for meals and critiques at the end of our workshop activities.
5) Assistants. I am accompanied by terrific assistants to assure that your photographic experience is as rich as your surroundings. The Quinault retreat is manned by my workshop coordinator Libby whom is also familiar with the area and will be on hand to help assist the participants.
6) Friendship! I don’t know how many friendships have formed as a result of these workshops in particular, but my workshops seem to bring like-minded people together many of whom end up traveling with one and other again and again.
7.) Beautiful images make beautiful prints! Make room on your walls for some new images from a lush and vibrant location.
8) Water. Water defines Olympic National Park. There’s a reason why the trees are massive and the moss lush; why the rivers are highways of life; why the glaciers are there to sculpt the massive peaks.
9) Wildlife. We may get lucky and see the huge Roosevelt elk that make the Olympics home.
10) Adventuresome learning. I work hard to make sure everyone comes away from these multiday workshops feeling better about and more enriched by their photography skills.
Again, only two spaces remain – Sign up now and I’ll see YOU in a few weeks!
AW – Often students in my classes will bring work that shows an interesting subject, but without enough information to tell a complete story. I find that one effective tool for storytelling is using a wide-angle lens close to my subject, so that some of the background is included, creating a valuable sense of place.
I find elephant seal weaners, fattened up and then abandoned by their mothers, to be wonderfully cooperative photographic subjects. With this weaner, I laid flat on the ground in front of it to photograph it on its level.
The hot-spring-addicted macaques in the Japanese Alps are another fun subject. When their own hot springs were invaded by the furry monkeys, the human residents built a monkeys-only spring. This youngster hung around the side of the pool, making a perfect subject for a wide-angle shot, which allows me to add important background and context.
MH – Looking at us with its liquid black eyes, the seal pup seems to be hoping we are his mother coming to feed him. Weaned at three weeks, he seems a bit lost, even indignant, that the tap has suddenly been turned off. With the spectacular landscape of South Georgia in the background, this image creates a sense of loneliness, seeing this solitary pup by himself in this grand wilderness.
In the second image, the Japanese macaques are so human-like that it’s a little freaky. The monkey in the image seems curious, even mischievous, while his peers ignore his proximity to the camera and wallow in the thermal heat. I love seeing an animal in its environment, especially one as unique as this. It enlarges our understanding of how they live and sometimes gives us clues as to what motivates their behavior. Here, the slight distortion of the wide-angle lens enhances the drama of the scene.
Strong Leading Lines
Another important approach to using a wide-angle lens is to work with leading lines. Leading lines have long been important parts of painting and other two-dimensional forms of art. A leading line is simply something that creates a line from foreground to background and leads or directs the eye through the image. It can be anything that is visually distinct, that a viewer is going to notice, and helps define the composition.
You can find all sorts of leading lines in the environment: tracks in the sand, edges of roads, cracks in rocks, architectural structures, and so on. These can be used to direct the viewer’s eye through a composition and toward the main subject. They are an excellent way to help the viewer understand your picture as well as add a graphic element to the design of your image.
Wide-angle lenses help emphasize leading lines. This comes back to the concept of perspective. By getting in close to nearby parts of leading lines, you spread them apart, yet they still go to the same vanishing point in the distance. That creates a very strong change from foreground to background along those lines, something that will dramatically show off the elements of your photograph.
To understand this, think about a railroad track. If you stand on a hill and photograph railroad tracks in the distance so they start at the bottom of your picture and go to the horizon near the top, you will see them heading off to a vanishing point at the horizon. The railroad tracks will be a certain width at the bottom of your composition. If you then put on a wide-angle lens and get right down on the tracks, the width of the tracks will fill the width of your image. The tracks are still going to go off into the distance to a vanishing point, but now they go from the full width of your frame, creating an extreme change from foreground to background.
Don’t be afraid to get close to leading lines in order to emphasize how strong they are. So often photographers back off from subjects like this and lose some of the impact because they don’t have the same foreground-to-background perspective.
I’ve only just begun a couple months of heavy travel, but in between I’ll be back in Seattle just long enough to catch my breath. This happens to coincide with the annual Kenmore Camera Digital Photo Expo, which is always a fantastic event full of passionate presenters and the latest and greatest equipment from the digital photography world available for hands-on evaluation!
