The ƒ-number you choose for a particular shot is an important element when it comes to framing the story of the particular shot you’re looking to achieve. The ƒ-number can be a bit confusing to novice photographers, as the higher ƒ-number means a smaller aperture and a greater depth of field. In turn, a greater depth of field means more detail in the background of your shot.
In this video, I was on location in Antarctica shooting gentoo penguins. Their environment and community is as important to their story as each individual. Shooting at a high ƒ-number to capture this detail helps inform the audience that the story I chose to tell encompasses that environment as an element as important as each individual penguin.
On a related side note, have you ever wondered how to type the fancy “ƒ” on your keyboard to give your photo comments a little bit of flair? It’s simple really:
Hold down the “alt” key, and using the 10-key pad on the right of your keyboard, type “0-1-3-1”. Let go, and you’ve got your fancy “ƒ”!
A little simpler on a mac – just hold down “Option” and type “f”!
1) Limited to 8 participants (and only 2 spots left now!), this guarantees more one-on-one time with Art in the field. Due to the intensive nature of this workshop it is critical for participants to have an opportunity to work closely with Art so he can thoroughly explain the magic behind complex compositions.
2) Art will incorporate lectures from his popular seminar Photography As Art (also coming to Portland on May 7th!) as it is the main focus of this workshop. If you have seen this seminar and are looking to take the next step with this type of photography this is the workshop for you. Art will drive home the concepts that he teaches during that seminar in the field and will change the way you look at photography altogether.
3) It is extended by one day. This means one entire extra day in the field, providing us with the opportunity to incorporate some of the new locations that Art just scouted this year. It also gives the participants a bigger variety of photographic opportunities and compositions.
4) The extra day also grants us time to incorporate morning critiques throughout the workshop instead of having it at the end. This is fantastic because you will have time to learn from your mistakes while there is still time to photograph in the field.
5) The great thing about this location is that many people do not see the photographic potential that it has to offer, so it is fantastic to open up your perspectives on things. It is amazing to see the transformation of what starts as an old rusty object, and becomes a magnificent piece of artwork.
6) We will take the opportunity to work with 6-stop Neutral Density filters to show people how they can use them in the field to add an ethereal quality to their photographs. The many pilings that the surrounding area has to offer is a perfect subject for this.
7) The accommodations that we have selected are top notch! The Cannery Pier hotel offers nice hors d’oeuvres and wine every evening, granting our participants a chance to relax and socialize after an intensive day in the field.
8) The city of Astoria also has very nice restaurants where the entire group will dine together every evening. It’s nice to have an opportunity to have meals together as you really get to know the entire group better. Many people form long-lasting friendships after attending our workshops together.
9) See Astoria, Oregon which holds the distinction of being the first permanent United States settlement on the Pacific coast and for having the first U.S. post office west of the Rocky Mountains.
10) Don’t forget, you get a Human Canvas Book, with a collectors edition print! Add this wonderful collectors edition signed and numbered book+print to your collection, as an added bonus.
“I took this workshop to begin to develop “seeing” beyond the obvious. This workshop definitely started me along this path. Mr. Wolfe dedicated a morning to instill an appreciation into the abstract world and with his critiques of our images, added to my understanding of abstractions in photography. I plan to bring these elements into my landscape photography to see beyond the obvious.”
Finally, check out the participant photo gallery for some of the amazing images captured in past Abstract Astoria workshops:
When you visit some of the world’s great landscapes, it can be easy to miss the beautiful details beneath your feet. Using a tripod and a small aperture, capture the details that will make your photographs unique and personal while giving context to the location you’re shooting.
For more tips and techniques, my Photography As Art seminar may be coming to a city near you soon!
How images were collected in the past has changed and the world has become closer in terms of access thanks to the advances in travel and technology. As a result, change seems to accelerate and keeping in step becomes a necessary skill. I will share how I research, plan, and execute as well as review and edit for projects. With over 100 book titles, television shows, exhibits, presentations – how does one manage it all and how do projects transition from an idea to achievement? In this segment, I will review my processes for efficiency, economy and how I chart the course to a successful outcome.
2. Ways Technology has Improved my Work
The truth is that technology has been giving artists new ways to share their work for a very long time. Tools and art have evolved together, becoming intertwined. Cameras, software, lenses, even drones – they are all tools for the photographer, the artist, the storyteller. I will share how I have incorporated technology to enhance and redefine my work.
3. Preview to Photography as Art
“Photography as Art” is a groundbreaking seminar created for individuals who want to spark their imagination and discover how to make artistic statements through photography. I will share an excerpt from this seminar created for the creative professional to see and make art in exciting new ways. With art history as a reference point, I explore avenues to maintain inspiration, foster personal style, and discover ways to distinguish your own photography from others.
4. Live Critique
At the end of the program, I will critique viewer-submitted photographs. These photo critiques provide viewers a great opportunity to look through the eyes of a professional photographer and learn by constructive feedback on what makes an image stronger.
Green is the theme for 2017, or so says color arbiter Pantone. The Pantone Institute of Color holds a clandestine meeting twice a year to determine a hue to represent the year, and to drive design. I can’t argue with that, having lived in the verdant Pacific Northwest all my life.
Oregon is home to one of the most scenic and beautiful coastlines in America. Two spots remain to travel with Art, where you will not only explore the location but also your creativity as he describes new ways to visualize and compose your images from a conceptual perspective that will make your captures unique and personal. On top of experiencing this stunning locale, you will take away techniques that will enhance and personalize your photographic endeavors to come.
Some years are publishing years, some are traveling, 2015 was for reshaping the business—a necessity in the ever-changing photography industry. I closed my downtown Seattle gallery and launched this website, focusing my core business online and allowing me the ability to concentrate on other projects, of which there are many.
All the filming that I did in 2014 with Abraham Joffe and the Untitled Film Works crew—in East Africa, Papua New Guinea, Alaska, and here in Seattle—finally came to fruition. Tales by Light is a joint Canon Australia and National Geographic Channel production & I hope it comes to the US soon!
Travel & Photography: The year was bookended by East Africa
While travel slowed somewhat in 2015, I still managed trips to Tanzania (twice), Kenya, Yellowstone National Park (twice), Antarctica, India, Bali, Japan, Iceland, Washington State, Alaska, Svalbard, California, and Wyoming’s Grand Teton National Park. The final expedition of the year was to the Danakil Basin of Ethiopia.