I was out scouting a location for a future photo shoot when I found myself about to drive past the Weyerhaeuser corporate headquarters building here in Washington state. With some time to spare I pulled off and visited their beautiful bonsai gardens where they have 60 unique specimens from 6 different Pacific Rim nations, some were started as long ago as the 1950s.
When I’m out in the field I’m often drawn to compositions of graphic lines and form. You can find beauty in the patterns of nature just about anywhere you go, you just need to be open to seeing them. Bonsai is a collaboration between man and nature that celebrates this beauty. It is up to the individual artist’s imagination to shape the plants through very selective pruning, removing key limbs, creating a balance to the composition, even shaping the limbs directly either with copper wire or by suspending stones from the branches to weigh them down. Over time the plant will adopt this new shape even as the wire and stones are removed.
In this age that has so much slick art dominating the culture it’s nice to see imperfections. The bonsai is a living plant, it will never be absolutely perfect and it is forever growing and slowly changing. This is a very slow, methodical and thoughtful art form. I find peace and a feeling of zen when I have time to just sit back and admire these beautiful works of art. I was drawn in by all of them, whether the great redwood in miniature or the wabi sabi out of balance nature of the one that looked as if it was growing out of the discards from a giant egg. Serendipity played a hand in the timing of my visit as many of the deciduous varieties had yet to fully leaf out allowing the intricate design of their branches to be seen with just a hint of the color yet to come. It will come as no surprise that I have many bonsai trees in my own landscape.
What was intended as merely a scouting mission, I didn’t even have any formal camera gear with me, resulted in a wonderful opportunity to soak in some art and nature and fill my soul. A wonderful day for me is not always about the perfect light and equipment, the images shared here were simply shot on my iPhone. It was a great way to spend the morning, I highly recommend it.
For details on the Weyehaeuser bonsai gardens click here:
Along the Washington coast we have many species that migrate past our shores both above and below the water. For just 2 to 3 weeks in late April and early May, up to a million shore birds can be found near the town of Grays Harbor on their way to nesting grounds in the arctic. Some of the commonly seen birds include: Killdeer, Black-bellied Plover, Semipalmated Plover, Greater Yellowlegs, Wandering Tattler, Whimbrel, Marbled Godwit, Ruddy Turnstone, Surfbird, Red Knot, Sanderling, Western Sandpiper, Least Sandpiper, Dunlin, Short-billed Dowitcher, and Long-billed Dowitcher.
The birds will take a much needed rest in the mudflats of Bowerman Bay on their long flights from South America all the way up the Pacific Coast until the reach the Arctic where they will nest and prepare for the next generation. Your best chance at seeing the birds comes at high tide when the incoming ocean waters concentrate the birds on just a few points of land where they can still find food and safe harbor. This is a most remarkable region for birding because of its varied habitats: rocky seashore, sandy beaches, large estuaries, rivers, meadows and mountains.
You won’t be alone of course, like the tulip fields of the Skagit Valley which bloom just in front of the migration this phenomena attracts hundreds of bird watchers and nature loves alike. The town of Greys Harbor even sponsors a shore bird festival each year giving you some clue as to when you might want to migrate to the coast yourself.
Early May is a great time to catch the migrating shorebirds as they fly up the coast from California, or the Pacific Flyway as it is called. Sanderlings, dunlins, and other assorted shorebirds pause for a couple of weeks at Bowerman Basin in Grays Harbor on the Olympic Peninsula. Boardwalks provide great access. When the tides are high, and there are no exposed mud flats, all the birds are densely packed together. It is quite the spectacle to see a million birds in a tight area. Also, if there happens to be a bird of prey near, they fly around in tight bundles turning in all directions with great precision. It looks like many bodies, but one brain operating them all. It is definitely worth a trip out to the coast if you are in the Pacific Northwest in those two weeks.
The Grays Harbor Shorebird Festival is May 4-6 this year:
What to do with April Showers? – Get an umbrella, grab your camera and get outside.
I spent 2 days photographing in the Columbia Gorge and along the Southern Washington Coast, in the rain, and I couldn’t have been happier. The previous 2 days were beautiful. Blue skies, sunshine, unseasonably warm temperatures – and I wasn’t at all interested in getting outside with my camera.
While I’m always open to any subject, on this trip I had very soft, high key, moody images in mind that I could render in black and white. The coastal and inland waters of the Columbia Gorge in addition to having one spectacular waterfall after the next are littered with old pilings from a bygone era of wealth and prosperity from the timber barons of the late 1800 and early 1900s. I have photographed these subjects in the past and knew they needed the right atmospheric conditions, namely fog, to be successful. Here in the NW fog isn’t all that predictable or persistent, but when you don’t have fog, rain can be an excellent (and even better) substitute.
The overcast skies provided the perfect soft box to light the subject, the falling rain softens the image and disturbs the water such that the long exposures necessary with my smallest apertures render the image as a high key, mysterious and quiet, yet powerful image. I knew I would be rendering these in black and white and positioned myself to maximize the white background where the sky was indistinguishable from the sea. I could have stayed with these as a subject for the entire day working different angles, focal lengths and exposures. It was food for my soul and I felt like I was at an all you can eat buffet.
I wasn’t going to overlook the waterfalls as this was the perfect time of the year to photograph them through the fine lines of the trees. The leaves have only just begun to come out adding a touch of color while not obscuring the view of the falls. Most people would say I was “too early” to shoot the falls but you’ll find in about 2 weeks time the trees will have leafed out to where the shots I was able to create with patterns of lines and positive and negative space would be impossible to replicate.
Lastly I met up with friends early in the morning to photograph the Portland Japanese Gardens. With an annual pass you can visit the gardens 2 hours ahead of the general public and photograph largely unencumbered. Again the time of year allowed for some subtle color in the maple trees as they had only begun to leaf out while not obscuring the fine details and patterns of the intricate under-story of their branches. Yes it was a bit too early for bushels of blossoms but when you look at the patterns in nature, the energy contained in a balance of positive and negative space, you’ll find there is rarely ever a bad time to photograph areas like the Japanese Gardens. And when you realize the potential you may never look at a rainy day the same way again.
The other evening I was enjoying my hot tub, and saw I had a new house mate! A screech owl has taken up residence in a bird house I hung in a large tree.
For the month of April, you should head back to the Skagit Valley to the tulip and daffodil fields. Many people don’t realize that they grow as many tulips in the Skagit Valley as they do in Holland. The rows and rows of brilliant color is a spectacular sight. Thousands of people from the Seattle area venture north to see this beautiful display of bright colors. One of the best ways to see this fields is from the air; the rows of flowers abstract into bands of color. In Washington, it is how we welcome the spring!
Art had a great time with his workshop participants in South Africa. The seaside community of Arniston on the Western Cape was a superb location and now enjoys national monument status.
Also, he was able to get his first shots of the endangered African penguin. These penguins are also called Jackass because of their braying call.
One of his favorite locations, Art has revisited Devils’s Marbles south of Tennant Creek. It’s famous for the gigantic granite boulders arrayed across a the flat landscape.
