Some years are publishing years, some are traveling, 2015 was for reshaping the business—a necessity in the ever-changing photography industry. I closed my downtown Seattle gallery and launched this website, focusing my core business online and allowing me the ability to concentrate on other projects, of which there are many.
All the filming that I did in 2014 with Abraham Joffe and the Untitled Film Works crew—in East Africa, Papua New Guinea, Alaska, and here in Seattle—finally came to fruition. Tales by Light is a joint Canon Australia and National Geographic Channel production & I hope it comes to the US soon!
Travel & Photography: The year was bookended by East Africa
While travel slowed somewhat in 2015, I still managed trips to Tanzania (twice), Kenya, Yellowstone National Park (twice), Antarctica, India, Bali, Japan, Iceland, Washington State, Alaska, Svalbard, California, and Wyoming’s Grand Teton National Park. The final expedition of the year was to the Danakil Basin of Ethiopia.
Presentations, Gallery Shows, and Articles
I lectured at, among other places, Florida’s Ft. Lauderdale Museum of Fine Art, Seattle’s Benaroya Hall, Portland’s OMSI, and at #OPTIC2015 in New York. Human Canvas took over the Rotella Gallery in Soho for the month of November. DPreview.com published several well-received articles on my experiences photographing emperor penguins, humpback whales, and Iceland.
Books: A year of foreign editions
The Art of the Photograph in Spanish
Earth Is My Witness in French and German by National Geographic
Vanishing Act in USA, German & French
Awards & Honoraria
Earth Is My Witness garnered several publishing awards, including an IBPA Benjamin Franklin and an Independent Publisher. As for moi, I was named honorary chair of Washington Wild.
The cheetah is the world’s fastest land animal and Africa’s most endangered cat. Uniquely adapted for speed, the cheetah is capable of reaching speeds greater than 110 kilometers per hour in just over 3 seconds, and at top speed their stride is 7 meters long. With its long legs and very slender body, the cheetah is quite different from all other cats and is the only member of its genus, Acinonyx. The cheetah’s unique morphology and physiology allow it to attain the extreme speeds for which it’s famous, and is often referred to as the greyhound of cats.
Along with many other top photographers, I am participating in the Remembering Elephants book benefiting the Born Free Foundation. This is a Kickstarter campaign so you can pre-order your book and opt for other rewards. Pledge by September 22nd.
In the book The Living Wild, Art wrote, “After all, an animal without habitat is simply a curiosity biding time to its extinction. But an animal with its habitat is a vibrant representation of natural selection.” It is within this book that Art highlights the environment and the wildlife in a symbiotic relationship and travels beyond the more common seen portrait of wildlife. There are many places throughout the world that highlight this type of diversity, but Americans need to travel no farther than the Greater Yellowstone Ecosystem. With the reintroduction of wolves in the 90s’, this 11 million acre reserve of land has become one of the most intact temperate ecosystems on the planet. If you count the bird, mammal, fish, insect, amphibian, plant and reptile species, you walk away with thousands of potential photography subjects. Due to the stunningly beautiful land surrounding the creatures, this place offers the opportunity to capture imagery very similar to the visions Art has created in The Living Wild. Moose, bear, antelope, elk and countless others can be composed with the backdrop of the Tetons at sunrise and sunset. If you are wondering how, now is your chance to learn.
Visit Grand Teton National Park in Wyoming the first weekend in October with Art Wolfe and Gavriel Jecan for a four-day workshop being held in the heart of one of America’s most scenic locations.
In this revised edition, legendary wildlife photographer Art Wolfe turns to one of nature’s most fundamental survival techniques: the vanishing act. His portraits show animals and insects disappearing into their surroundings, using deceptions, disguises, lures, and decoys to confuse the eye of both predator and prey. Spotting each cryptic animal amid Wolfe’s clever compositions is both a fun and an informative challenge. At a time when many species are performing permanent vanishing acts due to habitat loss and human encroachment, this book showcases the beauty and evolutionary extremes of animal behavior and artfully illustrates the tenacious will to stay alive in an eat-or-be-eaten world.
Softcover: 224 pages
Publisher: Cameron + Company; Revised edition
Language: English
Product Dimensions: 12 x 8.5 inches
A study by Sam Wasser, who I’ve had a great working relationship with for several years, has been published in the journal Science that finds the poaching of Ivory in Africa comes from two main sources, including large elephant reserves in Tanzania and Mozambique. You can find out more from the story on NPR’s Morning Edition program or from The Seattle Times article.
Illegal poaching and wildlife trafficking is the fourth largest transnational crime behind weapon, drug, and human trafficking, and funds other types of violence and criminal organizations across the globe. Passing I-1401 will help reduce that violence. In addition, many of the animals protected by I-1401 are killed for medicinal use despite no real evidence of the efficacy of these expensive treatments.
While New York and New Jersey have passed laws to protect elephants and rhinos, I-1401 will prohibit and strengthen the penalties for the sale, purchase and distribution of products made from a list of 10 endangered animals: elephants, rhinos, lions, tigers, leopards, cheetahs, marine turtles, pangolins, sharks and rays. Despite widespread public opposition to these practices, powerful special interest groups continue to lobby state legislatures and Congress to oppose common sense laws that would protect iconic species slipping toward extinction.
I-1401 would ban the sale or purchase of products made from endangered and exploited animals, including elephants, rhinos, lions, tigers, cheetahs, leopards, pangolins, marine turtles, sharks and rays. It will be the first statewide ballot measure to help protect iconic species on the verge of being slaughtered into extinction. Passing it will set a national, and perhaps even international, precedent.
But first, at least 325,000 signatures must be collected by July to make the November ballot, in addition to building a robust, statewide campaign.
There are five more days to enter your photos to the Por El Planeta Photo Competition, with a grand prize of $100,000 to be put toward a conservation photo project.
Por el Planeta is not just a photography contest, it’s a movement seeking to transform our relationship with the planet and its wildlife. The competition was born out of a desire to reaffirm narrative photography as a powerful tool that encourages nature conservation and generates an appreciation for biodiversity.
“We believe photography is more than just light, beautiful pictures or perfect proportions,” said award-winning photographer Cristina Mittermeier, director of Por el Planeta. “It is also a vehicle for real change.”
Por el Planeta will award more resources than any other photography contest to recognize the dedication, skill and talent of photographers who strive to create images that infuse society with an understanding of and care for our shared natural heritage. At the same time, Por el Planeta wishes to encourage the development of new photography and conservation projects, mobilize audiences and raise awareness of the daily threats faced by our biodiversity.
• Por el Planeta is a Wildlife, Nature and Conservation Photo Competition organized by Televisa, the Mexican government and National Geographic as a mission partner.
• Por el Planeta will allocate over $300,000 US in prize money for the winners.
• All profits will be donated to conservation initiatives.
• Submissions close date: March 27, 2015
On Wednesday, February 11, I will be giving a benefit for the Southwest Seattle Historical Society. I will share little-known early photos of West Seattle, as well as some of my most famous works.
This is an exclusive event at the historic Colman Estate, an Arthur Loveless-designed English revival estate in West Seattle. Each individual or couple will receive a
copy of Earth Is My Witness, which I will personally inscribe. Also included is a signed,
8-by-10-inch photo, suitable for framing, that depicts the Madrona trees of my beloved Lincoln Park.
For information on the event, please call Clay Eals, Executive Director, at 206-484-8008, or e-mail clay.eals@loghousemuseum.info.
Can’t make it to the event? Plan a visit to the Loghouse Museum on Alki, the “birthplace of Seattle”.
VANISHING ACT
