February 19th 2010 marks the 20th Anniversary of Adobe Photoshop® and Adobe is getting together with the National Association of Photoshop Professionals (NAPP) to celebrate the anniversary of the software that changed the face of photography and design forever.
The Photoshop 20th anniversary celebration on February 18th at 7:30 p.m. pst will be streamed LIVE and feature Photoshop luminaries including NAPP’s Scott Kelby, John Loiacono,Adobe Senior Vice President and General Manager, Creative Solutions Business Unit, NAPP Photoshop gurus Dave Cross and Matt Kloskowski, Adobe Photoshop star Russell Brown, and other key members of the Adobe Photoshop team. This fun-filled night will feature a walk through Photoshop history, a glimpse into the future, and celebrates all things Photoshop.
Icebergs and ice are an increasingly important topic in recent years, as climate change is becoming more of a resounding, everyday issue. On a recent trip to Antarctica I developed a personal project of capturing the ice in as artistic of a way as possible. During the day, cruise ship passengers disembarked in Zodiacs to go ashore and view penguins. I have photographed a lot of penguins, so my mission became the ice that was floating in the vicinity. On this particular trip I asked a Zodiac driver to take me over to a distant iceberg that I could see towering over all of the other icebergs. It looked almost like a cathedral, standing out there over a 150 feet above its surrounding neighbors.
This first image shows the dramatic angle of the pinnacle of ice as it’s surrounded by smaller icebergs. As usual I circled my subject and look at it from all angles before settling on an image.
As we travel around the iceberg it takes on a slightly different shape. This new vantage point allows me to incorporate more of the surrounding icebergs in the foreground.
With image number three I am able to incorporate a foreground “bergie bit” (little piece of iceberg) that is found floating around its larger cousins. I am using a 16-35mm wide angle zoom lens and a polarizer to compose this image. My main objective is to balance the foreground ice with the iceberg in the distance.
I put on my 70-200mm zoom and circled back around to the location where I captured my initial composition in image 1. I chose to shoot a vertical to emphasize the vertical sweep of this dramatic iceberg.
I noticed a distant iceberg with an arch and directed the Zodiac to it. As we headed over to it I put my wide angle zoom back on. I circled this iceberg looking for a point of view in which to include with my initial perspective.
This composition reveals the first iceberg in a very beautiful way. I also love the way the green arch surrounds the distant blue icebergs, and how the wide angle gives the image a nice perspective by incorporating some of the blue green ice just below the surface.
I decided to go back to my 70-200 to try to pull in that distant iceberg. This lens allowed me to compress the scene while still keeping the strong foreground element of the arched iceberg in my composition. However, because I am further away now, you can see the blue sky above the arched iceberg. I have lost the drama that I had with the last image.
I zoomed in to try and eliminate the sky from the previous shot,but in doing so I have lost the top of the distant iceberg.
This is my favorite image in the series. It conveys the drama of the arch, it frames the iceberg in the distance perfectly, and it has a nice sense of color with the blues and greens.
The result is 3 or 4 distinctly different compositions of the same iceberg, which demonstrates how perseverance and a change of perspective can yield a stronger set of images.
Are we all about pretty pictures? This is a question that has been asked many times and in many forums to define the work that conservation photographers do. The real question however, is, do we want to focus on inspiring people, or do we aim to shock them?
There is a constant tension in finding the right balance between images that seduce and move and those that horrify. I believe that finding the right mix means the difference between entertaining people and moving them to action.
A carefully edited mix of images, woven into a compelling story, can show both the beauty of what we stand to lose as well as the devastation that our planet’s ecosystems are enduring all around the world. Most importantly, if we do our jobs right, photography can help us connect the dots to show the impacts that this loss has on human societies, and especially on the most vulnerable among us.
The ways in which the iLCP membership continues to expand and evolve, is a clear reflection of this philosophy. Although we will always need to rely on beautiful imagery to win and maintain the attention of our audience, we are also committed to working with photographers who focus their efforts on serious photojournalism. Perhaps the most important aspect of our work, is that regardless of whether images are beautiful or disturbing, they should be truthful and compelling. Our most valuable currency continues to be credibility; the perception by the public that what we are showing is a true reflection of reality.
Creating beautiful images that depict some of the most devastating and tragic losses our planet’s ecosystems are suffering is the ideal that compels the work of conservation photographers; succeeding in propelling law-makers, donors, government officials, corporations and society at large, is our ultimate mission.
Drawing form 36 years of international travel, Art will delve into a vast range of subjects; from discovering the subject to elements of design and even new works such as time lapses. Imagery of nature, wildlife and the world’s varied landscapes will round out the curriculum to provide the most comprehensive and imaginitave class available. For more information visit our workshop website. Don’t delay, our first two events in Toronto, Canada – May 20 and New York, NY – May 22 are filling fast.
These photos are from two extended walks that I lead our group on throughout the city of Hanoi. They are representational of a constant theme that I am teaching my travel companions – how to create intriguing compositions out of everyday life events. In this series of photographs you will see everything from the frantic traffic to the very quiet and peaceful details. Enjoy.