Just a couple of spots remain in my late July and early August Katmai bear tours in Alaska – now is the time to sign up if you’ve been thinking about attending this workshop! For some time now, we’ve been leading two trips here a year. Next year there will likely only be one on the calendar due to scheduling trips for upcoming book projects. I anticipate that sole trip will sell out quickly, so if you want to ensure a spot on this epic trip, why wait?
One of the biggest selling points of our workshop is the amazing support we have on the ground. The team we work with lives and breathes the Alaskan wilderness, and are as familiar as anyone on the planet with the locations and habits of the bears we aim to photograph. With a lodge, our own pilot and meals included, your only job is to pack your gear and make it to Anchorage – we will take care of the rest!
Lets talk about the real reason you go on a trip like this – the adventure into the Alaskan wilderness to photograph the great Alaskan brown bears! While they fish, play, and wrestle they show us all why it’s so important to protect these natural spaces. This is, after all, their home – as familiar and important to them as our own back yards are to us. With great respect, we are in their territory. The unique life-long connection you’ll find you now have to these bears is enriching far beyond our time here. It’s definitely left an impression on me!
Check out photos from last year’s trip, then reserve your spot to come along in July and August!
On March 14, 1903, President Theodore Roosevelt established Pelican Island National Wildlife Refuge, along Florida’s Atlantic coast, as the first unit of what would become the National Wildlife Refuge System. There are now more than 560 refuges across the country that protect species and the landscapes they depend upon for survival.
My favorite refuge is the Arctic National Wildlife Refuge. After rafting rivers in the refuge several times over the years, I filmed an episode of Travels to the Edge there in 2006, which can now be streamed online!
Ask anyone who lives in an area where mining, logging, or any other natural resource has left barren or debilitated habitats in their wake and many will tell you just how long it takes to recover; in some cases the answer is simply “never”.
Enter the Tongass National Forest – the largest remaining intact temperate rain forest on the planet. With a unique ecosystem where this ancient forest meets the ephemeral Pacific, this is home to over 400 species of wildlife comprising one of the rarest ecosystems in the world.
In 2001 the “Roadless Rule” was enacted in this region to keep it safe from the development of roads and logging that would most definitely have a negative impact on the local flora and fauna. This past week the current administration continued it’s attacks on conservation by rolling back this rule, Opening up nearly 10 million acres of the Tongass for logging and development.
If you haven’t already, I encourage you to get out there and vote ASAP and help protect these natural bastions of rare ecosystems for the denizens of them who can’t!
Busy week both here in Art Wolfe land and the world! Sports are returning in limited fashion, political fallout, and conflicts of ideology that are having harmful results (wear a mask! Please – I have many more book projects to complete!). I absolutely enjoyed chatting with Michelle Valberg last night on Earth Is Our Witness. If you enjoyed Michelle’s work, don’t forget to pop over to the Earth Is Our Witness Instagram page and give a photo you like a comment – a lucky winner will receive a free print!
Last night on Tequila Time, I had a bit of fun with a look at some of the antics of my youth, but I also ended on a poignant note. As many of you are aware, the flora, fauna, and livelihood of local fishermen is under immense threat by the proposed Pebble Mine project in the Bristol Bay region of Alaska If the Pebble Mine goes through, the bears will lose, the fish will lose, Alaskans will lose, and Earth will lose. It’s short term gain for the few and long-term destruction for the many.
A little over a year ago now I sent out a call to action to contact your congresspersons and let them know your thoughts on this project, that only serves to propagate wealth for the few while ravaging this beautiful and globally unique environment that we and future generations will lose out on.
With the recent Army Corps of Engineer’s Environmental Impact Study being labelled as inherently flawed and wholly inadequate by respected organizations such as the NRDC and the obvious interests of the Save Bristol Bay campaign, it’s time to make voices heard. No project ever goes flawlessly. We know this as humans. I do my best to see both sides of a conflict, but when it comes to matters of the environment versus the personal gain of a few individuals whom already possess the means to undertake such an environmentally devastating project, my decision is very simple.
We will continue to fight the good fight! Have a fantastic weekend!
Time for a little wilderness and wildlife advocacy. Alaska’s Bristol Bay needs our help. It is home to the world’s largest, most productive salmon run and it is threatened by the advancement of the Pebble Mine. The Pebble Mine would be a massive open pit mine that would leach into the ecosystem of one the most productive wildlife regions on the planet. I have been photographing in the region, which includes Katmai National Park and the famous McNeil River Bear Sanctuary, since the early 1980s, and understand first hand what this massive extraction project would do to the wildlife, the fishery, as well as the thriving, sustainable wildlife viewing industry.
Click here for a brief interview I did on the subject.
Brown bears associated with the Project area are a resource that has high ecological, economic, and social value. Southwest Alaska residents and visitors were estimated to spend nearly $145,000,000 (2019 dollars) annually to view wildlife and generated more than an additional $133,000,000 in associated annual economic activity. Much of the wildlife viewing activity in southwest Alaska is centered on observing brown bears. For more information, this study drills down on the economics involved in brown bear viewing ins South-central Alaska.
Watch:
I strongly urge you to take 20 minutes and watch Koktuli Wild, a video by Brendan Wells which perfectly illustrates the fragile beauty of the wilderness that feeds the potent Bristol Bay watershed. It is uplifting, beautiful, informative, and most importantly galvanizing. Even if you never see it with your own eyes, just knowing this this wilderness exists is affecting.
UPDATE: 6/29/2019 – The U.S. House of Representatives passed amendment 90, being called the “Huffman Amendment,” to the Energy and Water Appropriations Act. However, this is only the begging and Alaskans have called upon Senator Murkowski to to stand with Alaskans in opposing the Pebble mine.
UPDATE: 7/31/2020 – Following an Army Corps of Engineers Environmental Impact Study, which organizations like the NRDC have labelled as inadequate and flawed, the house has once again voted to suspend any funds for issuing a permit to the mining operation – the battle continues!
I started doing workshops in Glacier Bay back in the 1980s and this remains one of my favorite trips of the year. The small boat experience in the midst of a wilderness wonderland cannot be beaten. We saw more orcas than I have in a long time and I even added a new species to my list, the endangered marbled murrelet.
If you are interested in taking workshops & want first notification when they are posted, please sign up for my newsletter.
The 2016 Art Wolfe Next-Generation Photographers Grant is now taking applicants from professional nature photographers in the early stages of their careers. Recipients will be selected on the basis of skill, artistic excellence and by demonstrating the promise of future achievement.
From July 31 to August 6, 2016, seven successful applicants will attend a six-day workshop at a remote Lodge in Katmai, Alaska, photographing the spectacular wildlife and rugged landscape.
Sponsored by The Luminous Endowment for Photographers and Art Wolfe, Inc., and made possible with the generous support of Rebecca Jones and the Seneca Sawmill Co.
I usually shoot with a 16-35mm or a 70-200mm. However, when I know I am going to be getting a chance to photograph wildlife, like Brown Bears in Katmai, I bring along something longer. Shot on location in Katmai National Park, Alaska, USA.
Keep your eyes peeled for an announcement on an exciting Katmai event coming soon!
It is important to pay attention to foreground and background elements when trying to compose an effective surreal landscape image. Shot on location in Glacier Bay National Park, Alaska. Speaking of which, there is only one spot left in my exclusive Glacier Bay Tour happening next July. Cruising the majestic bay in this small yacht is quite a different experience than traveling in one of the large crowded cruise ships. One caveat- due to the cabin space, the remaining spot is for a man only.
It is the last frontier, a place where wild dominates humankind. A place known as the land of the midnight sun, here alpenglow lasts for hours, not minutes. Imagine venturing into this wilderness where the brown bears do not fear humans, where the minimal human population has learned and adapted to live in harmony with them. The bears rule, not only because they are strong, large, and on the top of their food chains, but because the humans believe that they should. Now imagine being able to capture photos of these magnificent creatures from 15 feet away. This is Alaska!
All aspects of outdoor photography will be covered, including composition, field techniques, technology, and the unique philosophy of this highly specialized profession. There will be informative lectures, rigorous critiques and portfolio reviews. Instead of concentrating only on f-stops and equipment, we will work on composition, imagination, and the control of every element in the image. We do more than just take you to the location; we help you to maximize your creative and technological skills as a photographer.
