In 2026, I’ll be leading a small number of photography workshops to some of the most inspiring places on Earth, and I’d love for you to join me. These journeys are designed for photographers who are passionate about wildlife, nature, and expanding both their technical skills and creative vision. I’ve spent decades in the field, and it’s a privilege to share what I’ve learned with others who are eager to grow. We keep the groups manageable to ensure everyone gets personalized attention, and we’ve taken care to choose comfortable accommodations and smooth logistics so you can stay focused on photography. If you’re looking for an experience that blends learning, adventure, and unforgettable imagery, I hope you’ll consider traveling with us. Spots are limited, and I’d be honored to have you along!
Step into the heart of the Serengeti. Capture dramatic scenes of wildebeest families in motion, apex predators on the hunt, and the untamed rhythms of African wildlife in its natural habitat.
Photograph playful snow macaques in steaming hot springs west of Tokyo, then head north to Hokkaido to capture ethereal Japanese cranes, elusive foxes, and the awe-inspiring stellar sea eagles.
Witness the raw intensity of Alaskan brown bears fishing for salmon in wild rivers—a front-row seat to one of the most iconic wildlife spectacles on Earth.
Explore surreal desert landscapes in Swakopmund, rugged wildlife regions in Damaraland and Etosha, and the cultural richness of Windhoek while photographing Namibia’s striking contrasts.
Venture deep into lush rainforests to photograph orangutans, proboscis monkeys, exotic birds, and rare jungle flora in one of the planet’s most biologically diverse ecosystems.
Why Travel with Us?
✔ Learn directly from a world-renowned photographer and fine art educator ✔ Develop both technical expertise and artistic vision ✔ Enjoy curated accommodations and seamless logistics ✔ Manageable group sizes ensure hands-on instruction and mentorship
Spaces are limited to preserve a high-quality experience. Secure your spot now and elevate your photography in some of the most spectacular destinations on Earth!
“What I see vs. what I take” is a trend online among photographers to show how they find interesting subjects in otherwise uninteresting busy shots that lack a focus. It just so happens that this very idea is the concept behind the opening discussion of the Pathways to Creativity series I released a few years ago when I was at home during the pandemic.
Happy 55th Earth Day, 2025. It’s also National Parks week, and while there has definitely been a lot going on politically as it pertains to the parks, they are still here for you to visit – all 400-plus of them! Find the parks nearest you, and if you have kids check out National Junior Ranger Day. If you’re looking to contribute at a time when it’s definitely needed, there are opportunities to do so as well.
If you’re looking for additional ways to celebrate Earth day, our national parks, and contribute to the well-being of our critical natural environment here are a few ideas:
1. Walk to a park and hang out with your tree friends. It can be easy to forget just how soothing and therapeutic a simple walk among nature can be. In an era of social media, incessant electronic notifications, and exhausting news cycles a trip to a park and remembering what truly matters can greatly improve mental health.
2. Plant native perennials and trees for pollinators! Hummingbirds, bees, butterflies and more are an important part of maintaining a healthy ecosystem. Consider them when planting this spring and plan accordingly to ensure healthy populations.
3. Conserve water. This one is pretty straight forward, but even beyond watching your usage, ensuring you’re properly watering your yards and gardens can also maximize the health of your plants, yielding more vegetables and more opportunities to entice those pollinators. Look up how to specifically water many of your plants, as improper watering techniques can do as much harm as good. Consider a water barrel if you live in an area with regular rainfall.
4. Hand-in-hand with those vegetable yields – eat more veggies! Not only do vegetables cost less carbon footprint than raising herds of animals, you’re also helping that water issue by ensuring less vegetables go to waste.
5. Reduce, reuse, recycle. If you are an avid garner, purchase things like topsoil and mulch in bulk versus several smaller bags that create more plastic waste. Many pots and trays are biodegradable these days and can be planted directly into the dirt.
6. Pick up trash when you see it.
“To leave the world better than you found it, sometimes you have to pick up other people’s trash.”– Bill Nye
7. Support our national parks “America’s Best Idea” by joining the National Parks Conservation Association https://www.npca.org/
10. Join an Art Wolfe workshop! Not only do may of my workshops get you out into the very nature we are striving to protect, it also helps bring valuable commerce into our parks and the surrounding areas, while also supporting the businesses that sustain healthy tourism in these areas.
We are on the verge of several workshops taking place on or around the West Coast! If you haven’t been shooting much over the winter this is the perfect opportunity to get out your gear and join me for a relaxing and productive opportunity.
Along with the gorgeous landscapes that the Pacific Coast has to offer from Washington down to California, we will also spend time finding unique abstract photographs. Aimed at expanding your visual vocabulary, such shots will also push your personal portfolio in a one-of-a-kind artistic direction.
When fall arrives and the leaves begin to turn to warm autumnal hues and temperatures are mild, the west coast becomes a beautiful tapestry of colors. The trees that do turn compliment the evergreens that do not, greatly increasing the number of interesting natural compositions.
I look forward to the fantastic company, sharing meals together, and exploring the west coast on a workshop with you!
OREGON COAST
Small-group Photography Retreat
March 15 – 18
There’s a lot going on in the world right now, so take a time out with a free episode of my streaming series Pathways to Creativity – Embracing the Abstract! Abstract photography is the perfect way to put your creativity and that fancy camera you’ve got to good use. The one on your phone is likely perfect for capturing abstract mages.
Experimentation can lead to happy accidents, unique techniques and more as you establish a visual language that speaks to you. Whether you’re hunting for visual metaphors, trying to capture a mood, or simply want to decorate with fascinating images that will raise questions and drive conversations, there is something very freeing about bucking convention and pushing the boundaries of what photography can be. Much like a sketchbook it’s less about the final image and heavily about the process.
If you’re feeling especially inspired, there are several opportunities on the upcoming calendar where I’ll be hosting photography retreats in Oregon and Washington, and although only a few such as Astoria, Port Townsend and Lake Quinault specifically mention abstracts in their titles, you can rest assured I’m always looking for such images myself wherever I am. You’re certainly not going to ruffle this artist’s feathers by seeking out MORE creative ways to express yourself through photography.
Two new opportunities are available now with early bird pricing to join me in Oregon in March!
First up is the perennial favorite Abstract Astoria. As the oldest city on the west coast, Astoria is a venerable Scandinavian-inspired burg with an abundance of character and old-school charm. Culinary delights are around every corner, and on those corners you’re bound to find museums, breweries, and even old forts— abandoned, but ripe with photographic opportunity. Not only are the traditional river vistas great opportunities for your standard fare travel photos, but the aging concrete bunkers and rusted logging equipment make for an amazing trifecta of creativity, photography, and hospitality.
The second retreat moves west to Cannon Beach, with its thundering surf and famous sea stacks. Beautiful waterfalls and oceanscapes await your artistic eye, as well as opportunities for unique and intimate landscapes and abstracts. Art will challenge you to explore the nature of creativity and discover ways to bring its power to your images.
Both photo retreats are open to all experience levels and limited to just 6 participants.
I had the recent pleasure of joining host Grant Swinbourne of the Landscape Photography World Podcast to talk about a lifetime of landscape photography experience. This talk is mainly centered around the idea of keeping things fresh and staying inspired and I discuss many of the ways I have stayed motivated and challenged over the course of my career.
We talked about my pre-travel preparation, my approach to working in the field, and touch a bit on how to stay positive and productive when a shoot or trip doesn’t turn out the way you want it to.
A few years back when most of us were stuck indoors, I took some time to comb through my catalog collecting hundreds of photos and put together Pathways to Creativity. From wildlife to abstracts, Pathways is a comprehensive look at my work and the thought process behind it. This is an exploration of ideas and inspiration, encompassing all aspects of photography from the way I use the technology to how I employ my fine art background into compositions and framing my subjects.
Years before that, I hosted a show exploring the world through my lens. Travels to the Edge is still circulating around the country. It was an incredible experience and I’m honored to have had the opportunity to bring my travels to your home.
Enjoy this content now streaming on my on-demand page for 30% off through Tuesday, September 3rd!
Use code LD24WOLFE at checkout to claim your 30% off – Available on all on-demand video. I recommend setting up a Vimeo account for easy access to your purchases!
Working with light is the very definition of what a photographer does, and to that end it’s important to keep the various approaches and angles of light in mind to ensure you’re emphasizing what’s important to you or an essential aspect of the subject you’re capturing.
Here are a few examples of the types of lighting I consider while shooting a subject.
Front Lighting:
Front lighting is a common but difficult angle to work with. With the light coming from behind the photographer and illuminating everything from the front, shadows can be weak or non-existent as they fall behind the subject. It can also wash out colors as light is reflected directly back at the camera. This overall lack of contrast can create images that look flat, but when used correctly it can also create shots that emphasize colors, textures and patterns in more unified ways than other forms of lighting.
Side Lighting:
Conversely, side lighting provides an obvious falloff from highlight to shadow, resulting in dramatic contrast. This image, from the same location as the previous in Sedona, Arizona shows how two similar shots can look drastically different in two different lighting scenarios, in this case determined by the time of day. Side lighting can help emphasize the volume and overall shape of a subject. It will also emphasize texture quite a bit more than front lighting.
Silhouette (backlighting):
Backlighting can be used to great effect to show the shape of a subject without defining it’s volume when used to create a silhouette. It simplifies the scene, removing unimportant details. This shot of Samburu warriors in Kenya might still be an interesting subject in full light, but as a silhouette the forms of the men and their tools become one.
Rim Lighting (backlighting):
Another form of backlighting very similar to silhouette is rim lighting. This is when the light bleeds around the edges of your subject, creating a halo of light around a darker or silhouetted form. This is achieved by having a light either directly behind your subject, or behind and at a slight angle. This creates a dramatic effect that not only informs the shape of the subject, but begins to hint at volume and texture as the light bleeds over the edge of your subject. The rim lighting on these guanaco in South America hint slightly at their furry texture and brown color.
Reflected Light:
Reflected light is most often used in portraiture to provide soft, even illumination to the subject that helps to diffuse textures. In nature, it most often occurs when sunlight reflects off one surface and illuminates another, such as the walls of a canyon, or light bouncing from a lake to illuminate the forest at it’s edge.
Spotlighting:
Spotlighting is often associated with artificial lighting setups, but when it’s found in nature it can be dramatic and provide a unique look at a subject. I have many shots of tigers in full, even light. This shot stands out as the subject steps into an illuminated pocket of an Indian forest.
Overcast:
Overcast lighting, also known as diffused lighting is one of the more frequently used and successful lighting types. It provides even illumination from light to dark, without creating harsh shadows or blown-out highlights. It does the most to show all aspects of your subject, allowing for detail in light and dark areas that shows texture while still including enough information to identify shape and volume.
Your assignment, should you choose to accept it: Go out and capture a subject or similar subject in two different angles of light, noting the elements that stand out and conversely fall back out of interest in each – feel free to share in the comments below!
One of the most common and frequently-utilized pieces of equipment in my kit is also one of the most commonly overlooked components – A circular polarizer, or “CPL” as you’ll see them sometimes called. Without getting into the weeds on the science, essentially a polarizer controls the amount of reflected light reaching your sensor, resulting in more saturated higher-contrast images. Although filters have largely been replaced by post-processing RAW images, a polarizer is still an essential component of any kit.
There are two kinds of polarizers – make sure you pick the right one. You’ll want a circular (not linear) polarizer with quality glass. No sense in ensuring you have quality gear only to skimp on the glass at the end of your lens! I use the fantastic filters from breakthrough photography. Polarizers also come in warm and neutral tones. A warm polarizer does the obvious – warms up the colors of your shot! It also has the added bonus of helping to cut through haze and atmosphere. A neutral filter will give you something more, well, neutral – making it a great place to start post-processing.
Using a polarizer is fairly simple. There is more to just slapping one on and shooting, however. Polarizing filters have a ring to adjust the amount of the effect. I watch my LCD screen while rotating the filter to see the results happen in real-time. This is useful when shooting water as well. I will dial between capturing a perfect mirrored reflection on the water’s surface, or bypassing the reflections entirely to see into it’s depths. The later helps me immensely when photographing subjects like the salmon-hunting bears in Katmai.
If you’re photographing landscapes a polarizing filter is a must-have. Leave a comment below if you have a polarizer you’d recommend. I also love hearing about the creative ways you’re using them!
Tanzania – January 2026
Japan – February 2026
Namibia – Late August / Early September 2026
Borneo – September 2026
Happy Labor Day Weekend!
