You never know what you will find when wandering around a city with a camera in hand. When light and subject and circumstance come together, magic can occur.
In this particular case, the facts behind the shot are nothing special. Workers had been putting gravel onto the parking lot of a restaurant in Panjim, Goa, which kicked a lot of dust into the air. Pedestrians were simply going about their business. However, when backlit by a late sun, the scene became street art–performance art. The activity of putting gravel down created an amazing atmosphere for a nicely layered image.
Standing back from the scene, I used a 70–200mm zoom, which enabled me to shoot a series of shots without interfering with the people so that they would not pay attention to my presence. I positioned myself looking directly into the late afternoon light so that the dust kicked into the air would be filled with light. I was not so much concerned about capturing details and faces of the people, as much as I was with the positions of the bodies within the frame. I kept shooting and reframing the shot as the scene changed every couple of seconds when the workers threw on the next load of gravel and different people came through the scene. I love the layering effect of the light and dust that comes from the backlight.
Photo tip: Dust, rain, humidity, fog, haze all add dimension to a scene when shot with backlight, light behind the conditions. It creates atmosphere and interesting changes in tonality and light, as well as creating layers in depth. Be careful that bright atmospheric conditions do not cause your camera to underexpose the scene.
Camera & settings used: Canon EOS-1Ds, EF 70–200mm F2.8 lens, f/7.1 for 1/160 sec., ISO 100
Excerpt from Photographs from the Edge.