On Location: Masai Mara, Kenya
I had very successful days in the Masai Mara National Reserve of Kenya. Now off to Botswana!
I had very successful days in the Masai Mara National Reserve of Kenya. Now off to Botswana!
Mount Rainier is my backyard and I have been going there since my youth. There is nothing better that rediscovering it with new people. The wildflowers were in full bloom and the clear night sky revealed the Milky Way in all its cosmic glory.
Missed this year’s workshop? I have planned another for 2015!
It’s August and I am teaching workshops! The Palouse is another terrific place for photographers in Washington State. The wheat fields are iconic for this region, sculpted from silt dunes that were deposited during the last ice age.
The field workshop I lead on the Oregon coast is always one of the most relaxing. The locations are gorgeous–Cannon Beach, Cape Meares, Astoria, and the Columbia River. There is always something new to see!
This past week I was in Katmai National Park photographing brown bears with filmmaker Abraham Joffe. The bears were wonderful, cooperative models for us & I can’t wait to see the resulting TV special.
While I wasn’t so happy with the tour operator on this my second trip to the Norwegian Arctic archipelago of Svalbard, I was able to capture some interesting landscapes and wildlife shots. I was able to concentrate on one of my favorite subjects, abstracts, especially in the glacially carved mountains of Spitsbergen. Also, I wish Vanishing Act didn’t already go to print because I got a couple really good camouflage photos involving a hungry Arctic fox.
This is only a fraction of the photos. To see more visit www.artwolfestock.com.
Alaska always refreshes me. What with the amazing opportunities to photograph wildlife, the fun people I travel with, and the hospitality of the Alaska Story, that is no surprise. This time we were able to photograph orcas (which makes my photo editor very happy) in addition to all the usual suspects.
On Saturday I leave for Svalbard. Looking forward to polar bears!
I was able to upload the rest of the images from the Sepik before hopping on the airplane to head home.
Traveling up the Sepik River has definitely been a greater challenge than the earlier part of the trip. However, struggle is not without its rewards. References to freshwater crocodiles are in evidence everywhere you look in Sepik tribal culture. The Sepik tribes revere the freshwater crocs since they are the only big, bad thing in their environment (other than the clouds of bloodsucking mosquitoes). They mimic the scales in their corporeal scarification and their houses are made of layered leaves to look like croc scales. Sacred totems and elaborate carvings also colorfully incorporate the crocodile.
Earlier in the week the leading newspaper in PNG, the Post-Courier ran a short front page story on our film project. It is gratifying to know that this project is interesting and important to so many people.
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Traveling up the Sepik River has definitely been a greater challenge than the earlier part of the trip. However, struggle is not without its rewards. References to freshwater crocodiles are in evidence everywhere you look in Sepik tribal culture. The Sepik tribes revere the freshwater crocs since they are the only big, bad thing in their environment (other than the clouds of bloodsucking mosquitoes). They mimic the scales in their corporeal scarification and their houses are made of layered leaves to look like croc scales. Sacred totems and elaborate carvings also colorfully incorporate the crocodile.
Papua New Guinea is the first location for a Canon Australia film project I am working on with Abraham Joffe (www.untitledfilms.com.au). It has been a couple decades since I have been to the Highlands and I was extremely excited to be photographing the Asaro Mudmen again as well as the Huli and Chimbu. The filmmakers are channeling Baraka (one of my favorite movies), using drones and movement in virtually every shot. Up next: the Sepik River.