Social engineering scams are one of the hazards of the internet. It seems a scammer has been using my name in a modeling scam. I can say unequivocally that I am NOT doing model shoots for Adidas or any other apparel company, especially those based in Russia.
It’s hard to believe that it’s been over a year now since Parimal started Earth Is Our Witness – an opportunity to speak and connect with photographers from all around the world, whom all have a passion for the way that photography connects humanity and our planet. We’ve seen some beyond-belief photos only to heart he very real stories behind them; some tragic, many epic – but all with the overlying theme that we are connected and in the end, not so different in our dreams and aspirations.
Given the complexity of locations, schedules, and time zones it’s been no small feat for Parimal to get many of the EIOW alum together for a couple of zoom reunion parties, and you’re welcome to join!
SESSION 1 – Friday, June 25, 6 pm PST / 9 pm EST
SESSION 2 – Sunday, June 27, 10 am PST / 1 pm EST
Join the live stream at these times, or if you’re not able to make it they will be there to view later. Of course, joining live means you wont miss a thing and can also participate in the live Q&A!
If you can make it and support EIOW and all of the hard work that Parimal has put into it, we would love to see you there live – tell your friends, tell your family, check out amazing photos and hear the stories behind them.
While I’m always adding new workshop location destinations to my list, it’s inevitable that I end up photographing in many of the same locations time and time again. Part of the draw of an Art Wolfe workshop – especially here in the Pacific Northwest – is the expertise we have on these locations. So how do you find new ways to challenge yourself while coming away with new images from a location that you’re already familiar with?
Aside from the obvious, try to find new conditions and lighting. A night shoot can completely change a composition as the light sky darkens and the scene becomes a study of star and moonlight. Go outside your comfort zone and toss a lens on your camera that you hadn’t really considered, like a wide angle or fish-eye trying different points of view and perspectives.
Most importantly – move! Depending on the lens you are using, moving a few feed can make a huge difference. Move around, turn your body – get low to the ground. Abstract your subject into studies of color, shape, and form. The ideas are endless! Just a small example – I spend so much of my time at home working in my garden, yet it’s always surprising even to myself when the inspiration takes me. I can grab my camera and spend hours seeing it from a new perspective.
I’ll avoid the clichés that we’ve heard all year long – eyes focused on moving forward to the next great challenge! We have overcome a lot, so everyone here at the AWI office is happy that families are able to begin to gather safely once again.
If you’re still struggling to find dad that perfect gift, give my events page a look as we have several workshops on the horizon, both here in the Pacific Northwest and abroad! If dad happens to be a photography enthusiast and is tired of being cooped up, what could be better than learning and enjoying a Tequila at dinner with his new pal Art!?
There is also early bird pricing on a special event this October I’ve titled simply “Creative Sessions” that will take place in my home town of Seattle. This event will begin with a Friday evening gathering at my home in West Seattle with food, beverages, and a special presentation followed by a day of lecture before being released to independently shoot. We will reconvene on the following day for another lecture and critique.
Today is “Nature Photography Day” – I think I might have something to accomodate! This day was designated by the North American Nature Photography Association (NANPA) to promote the enjoyment of nature photography, and to explain how images have been used to advance the cause of conservation and protect plants, wildlife, and landscapes locally and worldwide–a cause I couldn’t agree more with and one I’ve been pursuing my entire career.
Thankfully I’m home for a couple days between workshops & I will be posting some new photos from the last three weeks along the Pacific coast of California and Oregon. I encourage everyone to get out there and explore your corner of the world!
Recently vaccinated and ready to get out? We are coming up on the final stretch of West Coast workshops, with limited space left to join me at several haunts up and down the shores of the Pacific. Today begins our Carmel-By-The-Sea workshop – probably too late for this one!
One spot HAS in fact opened up for the ever-popular Abstract Astoria workshop happening next week. It WILL be claimed so act fast if you want it.
On June 17th we head to the Columbia River Gorge that serves as a natural border between Washington and Oregon, home to breathtaking landscapes, several waterfalls and a wide variety of opportunities to photograph both nature and abstract images.
Finally, a little further out at the end of July we will be returning to Port Townsend for another Abstract workshop – this new location serves as an excellent companion to Abstract Astoria, and it’s fast becoming a favorite of our clients. Limited to just five participants, this is an excellent opportunity to get some one on one instruction.
I’m thrilled to be back in the field but I also can’t wait until I’m back home and can reconnect with everyone on another live stream – stay tuned for info on when that will be happening again. Visit the events page for information on all upcoming international & US workshops, and have a fantastic weekend!
In the good old days of film ISO 100 was considered fast and on the margins of the day with every increasing exposure times you had no choice but to pan with your subjects as they moved. Today we’re getting spoiled with digital cameras that yield acceptable images at exceptionally high ISOs.
So this is a reminder to dial back to good old ISO 100, even put on a polarizer to lose another stop or more and put some emotion and action back in your shots. It takes practice – try this technique with the wind blowing a field of flowers, a crowded market, street scenes… it’s not just for animals.
When using a tripod the contrast of tack sharp architecture and blurred people can be very effective. Share your results if you have some as well!