The Phase One P 45+ Medium Format Back


Phase One P 45+ Medium Format Back

My friend Kostas Mallios loaned me a Phase One P 45+ digital back for a week, a full-frame 39 megapixel capture system I tested with a Mamiya 645 body. The resolution and dynamic range are astonishing. It’s not just that the files look creamy smooth, but the dynamic range approaches that of the human eye, far exceeding other technologies. As my friend Scott Stulberg says, it’s yummy.

Operating a digital medium format system slows you down. I felt as if I was using my old 4 x 5 view camera again. It’s a much more deliberative process, and by slowing down, the compositions are better considered with fewerof the small flaws I would catch later. With the resolution so high, I can get away with a shorter focal length lenses by cropping quite a bit without losing much in terms of resolution and nothing at all in terms of dynamic range.

My SLRs are more flexible, lighter, quicker, and offer a much wider range of lenses. The best of them surpass medium format film in my opinion. For my work, they’re indispensable. However, if I were a fine art photographer looking for the last iota of definition, the nearest approximation of perfection, I would be sorely tempted.

I forgot to mention the last, greatest, and for me only significant disadvantage. For the price of a Phase One P 45+ camera system including a couple lenses, you could buy a luxury automobile. A fast one.

PS I am afraid to try a P 65. A man can only take so much temptation.

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